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Post-industrial clay: the British Ceramics Biennial in Stoke-on-Trent

Veronica Simpson
Tolia Astakhishvili’s architectural excavation in Venice changes the way artists use the city

Will Jennings
An interview with Derrick Adams on the spaces of Black America
A visit to Hauser & Wirth LA: architecture, gardens, food & art
Edinburgh Art Festival 2025: our highlights
Learning how to live at Venice Biennale

Rob Fiehn












00271
Empty chairs & liminal Spaces: Alexandra Metcalf’s Gaaaaaaap

Rochelle Roberts

6a, Bed, Chair, Clinic, Jennifer Higgie, Hospital, Installation, LSD, Alexandra Metcalf, Nostalgia, Painting, The Perimeter, Rochelle Roberts, Waiting room, Walking stick



00215
Life in plastic: the architecture of Barbie

Architect, Aqua, Barbie, Barbie Liberation Organization, Nancy Burson, Chair, Design Museum, EV Day, Doll, Dreamhouse, Fashion, Furniture,Frank Gehry, Greta Gerwig, Ruth Handler, Interior design, Ken, Mattel, McMansion, Modernism, Adam Nathaniel Furman, Emiliano Paolini, Marianela Perelli, Pink, Plastic, Play, Sam Jacob, Sam Jacob Studio, Philippe Starck, Toy



00114
In-between design & art: the sinister sci-fi of Audrey Large & Théophile Blandet

Will Jennings

3D printing, Baroque, BRH+, Gian Lorenzo Bernini, Théophile Blandet, Barbara Brondi, Centre d’art Contemporain Genève, Chair, Craft, Design, Digital, Floor, France, Furniture, Geneva, HR Giger, Industrial, Will Jennings, Audrey Large, lighting, Melting, Morphosis, Ovid, Plastic, Product design, Marco Rainò, Rococo, Sculpture, Suminagashi, Switzerland, Wood



   

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