︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00271
Empty chairs & liminal Spaces: Alexandra Metcalf’s Gaaaaaaap
Rochelle Roberts
6a
,
Bed
,
Chair
,
Clinic
,
Jennifer Higgie
,
Hospital
,
Installation
,
LSD
,
Alexandra Metcalf
,
Nostalgia
,
Painting
,
The Perimeter
,
Rochelle Roberts
,
Waiting room
,
Walking stick
00215
Life in plastic: the architecture of Barbie
Architect
,
Aqua
,
Barbie
,
Barbie Liberation Organization
,
Nancy Burson
,
Chair
,
Design Museum
,
EV Day
,
Doll
,
Dreamhouse
,
Fashion
,
Furniture
,
Frank Gehry
,
Greta Gerwig
,
Ruth Handler
,
Interior design
,
Ken
,
Mattel
,
McMansion
,
Modernism
,
Adam Nathaniel Furman
,
Emiliano Paolini
,
Marianela Perelli
,
Pink
,
Plastic
,
Play
,
Sam Jacob
,
Sam Jacob Studio
,
Philippe Starck
,
Toy
00114
In-between design & art: the sinister sci-fi of Audrey Large & Théophile Blandet
Will Jennings
3D printing
,
Baroque
,
BRH+
,
Gian Lorenzo Bernini
,
Théophile Blandet
,
Barbara Brondi
,
Centre d’art Contemporain Genève
,
Chair
,
Craft
,
Design
,
Digital
,
Floor
,
France
,
Furniture
,
Geneva
,
HR Giger
,
Industrial
,
Will Jennings
,
Audrey Large
,
lighting
,
Melting
,
Morphosis
,
Ovid
,
Plastic
,
Product design
,
Marco Rainò
,
Rococo
,
Sculpture
,
Suminagashi
,
Switzerland
,
Wood
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INDEX
︎
Venice
Biennale 2025: part 3,
the 
