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The house as self-portrait: John Soane’s words through an artistic gaze

Rochelle Roberts

The Orobie Biennial puts art into the Bergamasque Prealps

Will Jennings

recessed.space: Ground Collective communicate with silent rivers

Venice Biennale 2025: part 3, the
ugly

Venice Biennale 2025: part 2, the b
ad

Venice Biennale 2025: part 1, the good











00076
A Haunting Sense of Power: Monelle at Sadie Coles HQ

Rochelle Roberts

Casa del Fascio, CGI, Sadie Coles, Como, Darkness, Film,Ghost, Horror, Diego Marcon, Monelle, Giuseppe Terragni, Palazzo Terragni, Power, Rochelle Roberts, Violence



   

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