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Venice Biennale 2025: part 2, the b
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Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
Playtime at the Pavilions: Carmody Groarke at Dulwich Picture Gallery
Rob Fiehn
From Bauhaus to birdhouse: world famous architects’ avian designs for charity
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A Haunting Sense of Power: Monelle at Sadie Coles HQ
Rochelle Roberts
Casa del Fascio
,
CGI
,
Sadie Coles
,
Como
,
Darkness
,
Film
,
Ghost
,
Horror
,
Diego Marcon
,
Monelle
,
Giuseppe Terragni
,
Palazzo Terragni
,
Power
,
Rochelle Roberts
,
Violence
00072
Ghosts in the machine for living in: exhibiting horror in architecture
Will Jennings
Robert Alexander
,
Birmingham
,
The Black Cat
,
Brutalism
,
Italo Calvino
,
Candyman
,
Castle of Otranto
,
Shezad Dawood
,
Demolition
,
Diagram
,
Ghost
,
Horror
,
Ikon
,
Invisible Cities
,
Boris Karloff
,
Béla Lugosi
,
Le Corbusier
,
Masterplan
,
Modern
,
Modernism
,
Richard Neutra
,
NT
,
Postcolonialism
,
Redevelopment
,
Ho Tzu Nyen
,
Amba Sayal-Bennett
,
Seher Shah
,
Vladimir Shukhov
,
Shukhov Tower
,
Monika Sosnowska
,
Strawberry Hill House
,
Unité d'Habitation
,
Uncanny
,
Urban planning
,
Horace Walpole
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INDEX
︎
Venice
Biennale 2025: part 2,
the b
Venice
Biennale 2025: part 1,
the good
