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Burn the Sheets: an exhibition on the making of trans domesticity

Barney Pau
Goodwood & the art of slowing down
Venice Biennale, 28 days later

Yuki Sumner
Leonardo Drew has created a motionless explosion in the South London Gallery

Will Jennings

Empty chairs & liminal spaces: Alexandra Metcalf’s Gaaaaaaasp

Rochelle Roberts

V&A East Storehouse is a thrilling meta-museum for the future

Will Jennings













00165
Rayyane Tabet’s trilogy of architecture, memory & repair at MUDAM Luxembourg 

Will Jennings

Alvar Aalto, Archaeology, Beirut, Beirut Port explosion, Blue, Bridge, Curfew, Curtains, Deutsches Historisches Museum, Destruction, Fabric, Folly, Fortress, Fort Thüngen, Furniture, Glass, History, Indigo, Will Jennings, Journey, Lebanon, Louvre, Luxembourg, Memory, MUDAM, Paimio Sanatorium, Pavilion, Pitcher, Rayon, Repair, Six Day War, Stone, Rayyane Tabet, Threshold, Trilogy, IM Pei, Violence, Windows



00080
Ricardo Alcaide’s forecast: Overcast with spells of sunny modernism

Will Jennings

Ricardo Alcaide, Antwerp, Von Bartha, Lina Bo Bardi, Brasilia, Brazil, Diagonal, Geometry, Industrial, Will Jennings, MDF, Modernism, Oscar Niemeyer, Paint, Sao Paolo, Sun, Sunny spells, Venezuela, Carlos Raul Villanueva, Violence



00076
A Haunting Sense of Power: Monelle at Sadie Coles HQ

Rochelle Roberts

Casa del Fascio, CGI, Sadie Coles, Como, Darkness, Film,Ghost, Horror, Diego Marcon, Monelle, Giuseppe Terragni, Palazzo Terragni, Power, Rochelle Roberts, Violence



00031
Domestic anxiety: Tomaso De Luca‘s property traps

Cartoon, Pauline Curnier Jardin, Droog, Installation, Tomaso De Luca, Francesco Urbano Ragazzi, Gentrification, LIAF, Lofoten International Art Festival, Politics, Property, Sculpture, Trap, Venice Biennale, Video, Violence



   

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