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You’re all invited to Jeremy Deller’s public party

Folkestone Triennial looks deep in time, land & sea
At Stanford’s Cantor Arts Center, an exhibition viscerally presents the broken environments mankind’s progress has created

Will Jennings
Announcing Hypha Studios x recessed.space: an open call to exhibit in a postmodern icon
Manchester International Festival kicks off with an eclectic array of culture
How Uzbekistan’s incredible Sun Heliocomplex brought light to Venice Biennale

Will Jennings













00165
Rayyane Tabet’s trilogy of architecture, memory & repair at MUDAM Luxembourg 

Will Jennings

Alvar Aalto, Archaeology, Beirut, Beirut Port explosion, Blue, Bridge, Curfew, Curtains, Deutsches Historisches Museum, Destruction, Fabric, Folly, Fortress, Fort Thüngen, Furniture, Glass, History, Indigo, Will Jennings, Journey, Lebanon, Louvre, Luxembourg, Memory, MUDAM, Paimio Sanatorium, Pavilion, Pitcher, Rayon, Repair, Six Day War, Stone, Rayyane Tabet, Threshold, Trilogy, IM Pei, Violence, Windows



00080
Ricardo Alcaide’s forecast: Overcast with spells of sunny modernism

Will Jennings

Ricardo Alcaide, Antwerp, Von Bartha, Lina Bo Bardi, Brasilia, Brazil, Diagonal, Geometry, Industrial, Will Jennings, MDF, Modernism, Oscar Niemeyer, Paint, Sao Paolo, Sun, Sunny spells, Venezuela, Carlos Raul Villanueva, Violence



00076
A Haunting Sense of Power: Monelle at Sadie Coles HQ

Rochelle Roberts

Casa del Fascio, CGI, Sadie Coles, Como, Darkness, Film,Ghost, Horror, Diego Marcon, Monelle, Giuseppe Terragni, Palazzo Terragni, Power, Rochelle Roberts, Violence



00031
Domestic anxiety: Tomaso De Luca‘s property traps

Cartoon, Pauline Curnier Jardin, Droog, Installation, Tomaso De Luca, Francesco Urbano Ragazzi, Gentrification, LIAF, Lofoten International Art Festival, Politics, Property, Sculpture, Trap, Venice Biennale, Video, Violence



   

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