︎
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
00165
Rayyane Tabet’s trilogy of architecture, memory & repair at MUDAM Luxembourg
Will Jennings
Alvar Aalto
,
Archaeology
,
Beirut
,
Beirut Port explosion
,
Blue
,
Bridge
,
Curfew
,
Curtains
,
Deutsches Historisches Museum
,
Destruction
,
Fabric
,
Folly
,
Fortress
,
Fort Thüngen
,
Furniture
,
Glass
,
History
,
Indigo
,
Will Jennings
,
Journey
,
Lebanon
,
Louvre
,
Luxembourg
,
Memory
,
MUDAM
,
Paimio Sanatorium
,
Pavilion
,
Pitcher
,
Rayon
,
Repair
,
Six Day War
,
Stone
,
Rayyane Tabet
,
Threshold
,
Trilogy
,
IM Pei
,
Violence
,
Windows
00080
Ricardo Alcaide’s forecast: Overcast with spells of sunny modernism
Will Jennings
Ricardo Alcaide
,
Antwerp
,
Von Bartha
,
Lina Bo Bardi
,
Brasilia
,
Brazil
,
Diagonal
,
Geometry
,
Industrial
,
Will Jennings
,
MDF
,
Modernism
,
Oscar Niemeyer
,
Paint
,
Sao Paolo
,
Sun
,
Sunny spells
,
Venezuela
,
Carlos Raul Villanueva
,
Violence
00076
A Haunting Sense of Power: Monelle at Sadie Coles HQ
Rochelle Roberts
Casa del Fascio
,
CGI
,
Sadie Coles
,
Como
,
Darkness
,
Film
,
Ghost
,
Horror
,
Diego Marcon
,
Monelle
,
Giuseppe Terragni
,
Palazzo Terragni
,
Power
,
Rochelle Roberts
,
Violence
00031
Domestic anxiety: Tomaso De Luca‘s property traps
Cartoon
,
Pauline Curnier Jardin
,
Droog
,
Installation
,
Tomaso De Luca
,
Francesco Urbano Ragazzi
,
Gentrification
,
LIAF
,
Lofoten International Art Festival
,
Politics
,
Property
,
Sculpture
,
Trap
,
Venice Biennale
,
Video
,
Violence
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