︎
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
Playtime at the Pavilions: Carmody Groarke at Dulwich Picture Gallery
Rob Fiehn
00240
Chiharu Shiota weaves soft immersive poetry in the hard architecture of Kunsthalle Praha
Will Jennings
Marina Abramović
,
Black
,
Boat
,
Body
,
Concrete
,
Electricity
,
Home
,
Rebecca Horn
,
Will Jennings
,
Kunstahalle Praha
,
Piano
,
Prague
,
Psychology
,
Red
,
Schindler Seko
,
Chiharu Shiota
,
String
,
Thread
,
Trams
,
Vlatva
00098
E-WERK Luckenwalde: a powerful arts centre for the future
Will Jennings
Anthropocene
,
Art centre
,
Berlin
,
CIRCA
,
Agnes Denes
,
East Germany
,
Einstürzende Neubauten
,
Electricity
,
E-WERK
,
FM Einheit
,
Kira Freije
,
Gallery
,
Germany
,
Industry
,
Infrastructure
,
Will Jennings
,
Kunststrom
,
Luckenwalde
,
Luma Arles
,
Machinery
,
Erich Mendelsohn
,
Network
,
Performance
,
Post-industrial
,
Power
,
Power station
,
Rupert
,
Stadtbad
,
Sound art
,
The Sun and the Sea
,
Samuel Treindl
,
Helen Turner
,
Pablo Wendel
TRAVEL
ABOUT
NEWSLETTER
INDEX
︎
Venice
Biennale 2025: part 3,
the 
