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The house as self-portrait: John Soane’s words through an artistic gaze

Rochelle Roberts

The Orobie Biennial puts art into the Bergamasque Prealps

Will Jennings

recessed.space: Ground Collective communicate with silent rivers

Venice Biennale 2025: part 3, the
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Venice Biennale 2025: part 2, the b
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Venice Biennale 2025: part 1, the good











00190
Planting for a better future: Olivia Laing’s Garden Against Time

Tim Waterman

Benton End, Biodiversity, John Clare, Common land, Enclosure, Garden, Gardening, Fergus Garrett, Gay, Great Dixter, Homophobia, Derek Jarman, Labour, Olivia Laing, Landscape, LGBTQ, Claude Lorraine, John Milton, Cedric Morris, William Morris, Nature, Ian Patterson, Politics, Prospect Cottage, Queer, Rewilding, Mark Rumary, WG Sebald, Suffolk, Donald Trump, Utopia, Tim Waterman, Horace Walpole



00095
12 top picks from Milan’s miart art fair

Yuri Ancarani, Archeology, Art fair, Bel Ami, Ruth Beraha, Pedro Cabrita Reis, Duilo Cambellotti, Concrete, Marcus Cope, Copetti Antiquari, Crack, Curtain, Destruction, Dreams, Dušan Džamonja, eastcontemporary, Film, Darren Flook Gallery, Andrea Francolino, Galleria Fumagalli, Gian Marco Casini Gallery, Glass, Glendale, Olivia Hill, Illustration, Installation, Emilia Kina, Landscape, Los Angeles, Mai 36 Galleri, Mazzoleni, miart, Milan, Margherita Moscardini, Model, William Morris, Mosque, Nature, Ncontemporary, Opera, PAC, Padiglione d’Arte Contemporanea, Painting, Photography, Anne and Patrick Poirier, Primo Marrella Gallery, Psychology, Ruin, Sand, Sandcastle, San Siro, Sculpture, Stadium, Stage, Stained glass, Urban, Paul Virilio, He Wei, Window, Wood, ZERO



   

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