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Listening to 17,000-year-old architecture: Oliver Beer at Thaddaeus Ropa
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Will Jennings

Curiosity triggered: Daiga Grantina’s sculptures dance with architecture at the Mead Gallery

Isabel de Vasconcellos
The Grand in Folkestone: ambitions plans for a Barbican-by-the-sea

Will Jennings
Our top ten highlights from Photo London as it enters a new era
Californian architects MAP are using AI to push a new frontier into uncanny valley

Steve Taylor

The new Nederlands Fotomuseum reuses a Rotterdam warehouse & offers the city a new architectural approach

Will Jennings










00304
Venice Biennale 2025: part 1, the good

Tea Ala-Ruona, AMO/OMA, Arsenale Institute for Political Representation, Tolia Astakhishvilli, Bahrain, John Baldessari, Barricades, Belgium, Bodies, Canada, Gaëlle Choisne, Albrecht Dürer, Fondazione Prada, Fondazione Querini Stampalia, Gallerie dell'Accademia, Giorgione, GRACE, Ireland, Rem Koolhaas, Living Room Collective, Luxembourg, Stefano Mancuso, Michelangelo, Montenegro, Museu Correr, Netherlands, Nicoletta Fiorucci Foundation, Nordic Pavilion, Hans Ulrich Obrist, OMA, Jorge Orta, Lucy Orta, Poland, Antonio Rizzo, Emir Šehanović, Serbia, Carlo Scarpa, Scuola Piccola Zattere, Harry Seidler, Slovenia, SMAC, Bas Smets, SPARC, Ivan Šuković, Sun Heliocomplex, Dejan Todorović, Uzbekistan, Venice, Venice Biennale, Leonardo da Vinci, Jung Youngsun, Miljana Zeković



00258
Across three exhibitions, the Sainsbury Centre asks if the seas can survive humanity

Nyima Murry

Hendrick van Anthonissen, Between, Can the Seas Survive Us?, Julian Charrière, Climate change, Charles Darwin, Ecosystem, Olafur Eliasson, Fitzwilliam Museum, Paul Gauguin, Gender, Island, Yuki Kihara, Kiribati, LGBTQI, Boris Maas, Maldives, Marquesas Islands, Nyima Murry, Netherlands, Norfolk, Norwich School, Ocean, John Kenneth Paranada, Queer, Sainsbury Centre, Samoa, Sea, Tahiti, Va, Water, Whale



   

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