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Manchester International Festival kicks off with an eclectic array of culture
How Uzbekistan’s incredible Sun Heliocomplex brought light to Venice Biennale

Will Jennings
A biennale that makes all the right calls: MOMENTUM 13 in Norway
Art

Robert Barry
An interview with Peter Cook about Archigram, drawing & building
Delaine Le Bas is stitching stories at Newcastle Contemporary Art

Will Jennings
Burn the Sheets: an exhibition on the making of trans domesticity

Barney Pau













00204
A city soaked in culture: Amsterdam Art Week 2024

Veronica Simpson

Marina Abramović, Frank Ammerlaan, Amsterdam, Amsterdam Art Week, Amsterdam Museum, de Atelier, Karel Appel, Jan Bernard Springer, Dagmar Bosma, Nieck de Bruijn, Cultuur Ferry, Vince Donders, Afra Eisma, Esraa Elfeky, Ryan Gander, Annet Gelink Gallery, GRIMM, Frans Hals, Susanne Khalil Yusef, Dora Maar, Marzia Migliore, Hiroki Miura, Museum of the City of New York, Ana Navas, Office Winhov, Oude Kerk, Emily Pethick, Picasso, Pillows Grand Boutique Hotel Maurits at Oosterpark, Josse Pyl, Michael Raedecker, Rijksakademie, Hend Samir, Veronica Simpson, Stejdelijk, Stedelijk Museum Schiedam, Lee Ufan, Upstream, Karel van Laere, Marnix van Uum, Koen van Velsen, Philips Vingboons, Annette Wolfsberger, Volkskrant Visual Arts Prize, W139



00133
London’s socio-political modernism through photography

Veronica Simpson

Architectural Review, Peter Barstow, Ian Berry, Croydon, Deptford, Norman Foster, Gareth Gardner, Gareth Gardner Gallery, Tim George, Healthcare, Housing, Immigration, Lewisham, Tim Livsey, London, Manplan, Freddie Miller, Modernism, Danilo Murru, Newcastle, Stephen Parnell, Pepys Estate, Photography, Photojournalism, Planning, Preston bus garage, James Price, Tony Ray-Jones, RIBA, Schools, Veronica Simpson, Tom Smith, Socio-political, Tim Street-Porter, Patrick Ward



   

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