Marina Abramović, Frank Ammerlaan, Amsterdam, Amsterdam Art Week, Amsterdam Museum, de Atelier, Karel Appel, Jan Bernard Springer, Dagmar Bosma, Nieck de Bruijn, Cultuur Ferry, Vince Donders, Afra Eisma, Esraa Elfeky, Ryan Gander, Annet Gelink Gallery, GRIMM, Frans Hals, Susanne Khalil Yusef, Dora Maar, Marzia Migliore, Hiroki Miura, Museum of the City of New York, Ana Navas, Office Winhov, Oude Kerk, Emily Pethick, Picasso, Pillows Grand Boutique Hotel Maurits at Oosterpark, Josse Pyl, Michael Raedecker, Rijksakademie, Hend Samir, Veronica Simpson, Stejdelijk, Stedelijk Museum Schiedam, Lee Ufan, Upstream, Karel van Laere, Marnix van Uum, Koen van Velsen, Philips Vingboons, Annette Wolfsberger, Volkskrant Visual Arts Prize, W139
Architectural Review, Peter Barstow, Ian Berry, Croydon, Deptford, Norman Foster, Gareth Gardner, Gareth Gardner Gallery, Tim George, Healthcare, Housing, Immigration, Lewisham, Tim Livsey, London, Manplan, Freddie Miller, Modernism, Danilo Murru, Newcastle, Stephen Parnell, Pepys Estate, Photography, Photojournalism, Planning, Preston bus garage, James Price, Tony Ray-Jones, RIBA, Schools, Veronica Simpson, Tom Smith, Socio-political, Tim Street-Porter, Patrick Ward