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The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
00302
The recessed.space highlights from Frieze Art Fair 2025
Bani Abidi
,
Caroline Achaintre
,
Arcadia Missa
,
Maryam Ayeen
,
Art fair
,
Ariamna Contino
,
Coulisse
,
Cylinder
,
Dastan
,
El Apartamento
,
Experimenter
,
Alex Hernández
,
Sea Hyun Lee
,
Onyeka Igwe
,
London
,
Marianne Fahmy
,
Frieze
,
Frieze London
,
Frieze Art Fair
,
Frith Street Gallery
,
Galerie Peter Kilchmann
,
Gypsum
,
Rim Park
,
Petrine
,
Jacqueline Poncelet
,
Alina Rentsch
,
Richard Saltoun Gallery
,
Abbas Shahsavar
,
Danyita Singh
,
Rafał Zajko
00125
Lagos, Peckham, Repeat: a layering of place & people
Veronica Simpson
Africa
,
Colonial Film Unit
,
Diaspora
,
Ndidi Dike
,
Victor Ehikhamenor
,
William Hogarth
,
Onyeka Igwe
,
Lagos
,
Lagos Biennial
,
London
,
Markets
,
Adeyemi Michael
,
Nigeria
,
Nigerian Film Unit
,
Emeka Ogboh
,
Folakunie Oshun
,
Peckham
,
Religion
,
Yinka Shonibare
,
Veronica Simpson
,
South London Gallery
,
Spirituality
,
Yoruba people
,
Unilever
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