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Delaine Le Bas is stitching stories at Newcastle Contemporary Art

Will Jennings
Burn the Sheets: an exhibition on the making of trans domesticity

Barney Pau
Goodwood & the art of slowing down
Venice Biennale, 28 days later

Yuki Sumner
Leonardo Drew has created a motionless explosion in the South London Gallery

Will Jennings

Empty chairs & liminal spaces: Alexandra Metcalf’s Gaaaaaaasp

Rochelle Roberts













00192
Designing Empire: the architecture of Tropical Modernism

Matthew Maganga

Africa, Nana Biamah-Ofosu, Brise-soleil, British Empire, Nek Chand, Chandigarh, City, Climate, Colonial, Jane Drew, Maxwell Fry, Ghana, Imperial, India, Kwame Nkrumah Institute of Science and Technology, Le Corbusier, Matthew Maganga, E.T Mensah, Modernism, Jawaharlal Nehru, Nigeria, Kwame Nkrumah, Samia Kkrumah, John Owusu Addo, Pan-African Congress, Politics, Aditya Prakash, Justine Sambrook, Tropical Modernism, Christopher Turner, Urban, Venice Biennale, V&A, Victoria & Albert Museum, West Africa



00125
Lagos, Peckham, Repeat: a layering of place & people

Veronica Simpson

Africa, Colonial Film Unit, Diaspora, Ndidi Dike, Victor Ehikhamenor, William Hogarth, Onyeka Igwe, Lagos, Lagos Biennial, London, Markets, Adeyemi Michael, Nigeria, Nigerian Film Unit, Emeka Ogboh, Folakunie Oshun, Peckham, Religion, Yinka Shonibare, Veronica Simpson, South London Gallery, Spirituality, Yoruba people, Unilever



   

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