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From Bauhaus to birdhouse: world famous architects’ avian designs for charity
In search of oracular places at the 36th Ljubljana Biennale of Graphic Arts
Lorenzo Graf
Riccardo Buck
An interview with Mike Nelson on architectural sculpture & the making of place
Hypha Studios x recessed.space: Nina Oltarzewska is turning art inside
out
Will Jennings
Our highlights from Berlin Art Week 2025
Post-industrial clay: the British Ceramics Biennial in Stoke-on-Trent
Veronica Simpson
00192
Designing Empire: the architecture of Tropical Modernism
Matthew Maganga
Africa
,
Nana Biamah-Ofosu
,
Brise-soleil
,
British Empire
,
Nek Chand
,
Chandigarh
,
City
,
Climate
,
Colonial
,
Jane Drew
,
Maxwell Fry
,
Ghana
,
Imperial
,
India
,
Kwame Nkrumah Institute of Science and Technology
,
Le Corbusier
,
Matthew Maganga
,
E.T Mensah
,
Modernism
,
Jawaharlal Nehru
,
Nigeria
,
Kwame Nkrumah
,
Samia Kkrumah
,
John Owusu Addo
,
Pan-African Congress
,
Politics
,
Aditya Prakash
,
Justine Sambrook
,
Tropical Modernism
,
Christopher Turner
,
Urban
,
Venice Biennale
,
V&A
,
Victoria & Albert Museum
,
West Africa
00125
Lagos, Peckham, Repeat: a layering of place & people
Veronica Simpson
Africa
,
Colonial Film Unit
,
Diaspora
,
Ndidi Dike
,
Victor Ehikhamenor
,
William Hogarth
,
Onyeka Igwe
,
Lagos
,
Lagos Biennial
,
London
,
Markets
,
Adeyemi Michael
,
Nigeria
,
Nigerian Film Unit
,
Emeka Ogboh
,
Folakunie Oshun
,
Peckham
,
Religion
,
Yinka Shonibare
,
Veronica Simpson
,
South London Gallery
,
Spirituality
,
Yoruba people
,
Unilever
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