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Post-industrial clay: the British Ceramics Biennial in Stoke-on-Trent
Veronica Simpson
Tolia Astakhishvili’s architectural excavation in Venice changes the way artists use the city
Will Jennings
An interview with Derrick Adams on the spaces of Black America
A visit to Hauser & Wirth LA: architecture, gardens, food & art
Edinburgh Art Festival 2025: our highlights
Learning how to live at Venice Biennale
Rob Fiehn
00192
Designing Empire: the architecture of Tropical Modernism
Matthew Maganga
Africa
,
Nana Biamah-Ofosu
,
Brise-soleil
,
British Empire
,
Nek Chand
,
Chandigarh
,
City
,
Climate
,
Colonial
,
Jane Drew
,
Maxwell Fry
,
Ghana
,
Imperial
,
India
,
Kwame Nkrumah Institute of Science and Technology
,
Le Corbusier
,
Matthew Maganga
,
E.T Mensah
,
Modernism
,
Jawaharlal Nehru
,
Nigeria
,
Kwame Nkrumah
,
Samia Kkrumah
,
John Owusu Addo
,
Pan-African Congress
,
Politics
,
Aditya Prakash
,
Justine Sambrook
,
Tropical Modernism
,
Christopher Turner
,
Urban
,
Venice Biennale
,
V&A
,
Victoria & Albert Museum
,
West Africa
00125
Lagos, Peckham, Repeat: a layering of place & people
Veronica Simpson
Africa
,
Colonial Film Unit
,
Diaspora
,
Ndidi Dike
,
Victor Ehikhamenor
,
William Hogarth
,
Onyeka Igwe
,
Lagos
,
Lagos Biennial
,
London
,
Markets
,
Adeyemi Michael
,
Nigeria
,
Nigerian Film Unit
,
Emeka Ogboh
,
Folakunie Oshun
,
Peckham
,
Religion
,
Yinka Shonibare
,
Veronica Simpson
,
South London Gallery
,
Spirituality
,
Yoruba people
,
Unilever
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