︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00167
A methodology of imaginal travel: Gayle Chong Kwan’s sweet connections between Mauritius & the Isle of Wight
Will Jennings
Alum Sands
,
Carisbrooke Castle
,
Gayle Chong Kwan
,
Colonisation
,
East India Company
,
TS Eliot
,
Empire
,
Extraction
,
Geology
,
Indentured labour
,
Felix Gonzalez-Torres
,
Film and Video Umbrella
,
The Isle of Wight
,
Will Jennings
,
John Hansard Gallery
,
Mauritius
,
Sand
,
Sandcastle
,
Slavery
,
Southampton
,
Strata
,
Sugar
,
Sugarcane
,
Sugarcrete
,
Towers
,
University of East London
00051
historicity: a walking podcast to reveal cities
Angus Lockyer
Archaeology
,
City of London
,
City of London Corporation
,
Democracy
,
East India Company
,
Guildhall
,
Guildhall Art Gallery
,
Historicity
,
William Hodges
,
Jewish
,
Horace Jones
,
London
,
Angus Lockyer
,
Podcast
,
Power
,
Jelena Sofronijevic
,
Walking
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INDEX
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Venice
Biennale 2025: part 3,
the 
