︎
Jenny Saville in her studio: A 2010 Beechwood Airship Interview
Dan Richards
Jenny Saville
A new way of seeing: Thomas Huber’s landscapes
Robert Barry
Aviva Studios in Manchester: a new type of cultural space awaiting new cultural ideas
Will Jennings
Capability Brown meets AI: the perverted nature of Daniel Ambrosi
Steve Taylor
Foto Industria: playing a photographic game across Bologna
Nyima Murry
Panorama L’Aquila: rebuilding a city with culture & gastronomy
Will Jennings
Carlo Zambon
00142
Material, form & process: Matt Rugg’s post-industrial sculptures
Will Jennings
Alvar Aalto
,
Apollo Pavilion
,
Assemblage
,
Cable
,
Chelsea School of Art
,
Cooling towers
,
Craft
,
Design
,
Education
,
Factories
,
Fencing
,
Richard Hamilton
,
Hatton Gallery
,
Industrial
,
Industry
,
Will Jennings
,
James Joyce
,
Metal
,
Merzbarn
,
Newcastle
,
Painting
,
Peterlee
,
Eduardo Paolozzi
,
Victor Pasmore
,
Plastic
,
Gerrit Rietveld
,
Matt Rugg
,
Kurt Schwitters
,
Sculpture
,
Steel
,
Tools
,
TS Eliot
,
Harriet Sutcliffe
,
University of Newcastle
,
Wire
,
Wood
00060
Faded fairgrounds: Dave Clarkson’s sonic seaside trip
Album
,
Ambient
,
Amusement Park
,
Amusements
,
Ballroom
,
Dave Clarkson
,
Collage
,
Development
,
Dreamland
,
TS Eliot
,
Fairground
,
Funfair
,
Gentrification
,
Hauntology
,
Margate
,
Memory
,
Montage
,
Music
,
Nostalgia
,
Seaside
,
Soundscape
,
Sound art
,
Technology
,
The Waste Land
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