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Gaudí, Miró & Gomis at Casa Batlló: three artists in Barcelona
An interview with Sumayya Vally on architecture, community & Ibraaz

Swinging in the gallery: art meets golf at Battersea Arts Centre

An interview with Lord Cholmondeley on Houghton Hall’s history & future of contemporary art


Will Jennings

Listening to 17,000-year-old architecture: Oliver Beer at Thaddaeus Ropa
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Will Jennings

Curiosity triggered: Daiga Grantina’s sculptures dance with architecture at the Mead Gallery

Isabel de Vasconcellos










00167
A methodology of imaginal travel: Gayle Chong Kwan’s sweet connections between Mauritius & the Isle of Wight

Will Jennings

Alum Sands, Carisbrooke Castle, Gayle Chong Kwan, Colonisation, East India Company, TS Eliot, Empire, Extraction, Geology, Indentured labour, Felix Gonzalez-Torres, Film and Video Umbrella, The Isle of Wight, Will Jennings, John Hansard Gallery, Mauritius, Sand, Sandcastle, Slavery, Southampton, Strata, Sugar, Sugarcane, Sugarcrete, Towers, University of East London



00142
Material, form & process: Matt Rugg’s post-industrial sculptures

Will Jennings

Alvar Aalto, Apollo Pavilion, Assemblage, Cable, Chelsea School of Art, Cooling towers, Craft, Design, Education, Factories, Fencing, Richard Hamilton, Hatton Gallery, Industrial, Industry, Will Jennings, James Joyce, Metal, Merzbarn, Newcastle, Painting, Peterlee, Eduardo Paolozzi, Victor Pasmore, Plastic, Gerrit Rietveld, Matt Rugg, Kurt Schwitters, Sculpture, Steel, Tools, TS Eliot, Harriet Sutcliffe, University of Newcastle, Wire, Wood



00060
Faded fairgrounds: Dave Clarkson’s sonic seaside trip

Album, Ambient, Amusement Park, Amusements, Ballroom, Dave Clarkson, Collage, Development, Dreamland, TS Eliot, Fairground, Funfair, Gentrification, Hauntology, Margate, Memory, Montage, Music, Nostalgia, Seaside, Soundscape, Sound art, Technology, The Waste Land



   

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