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V&A East Storehouse is a thrilling meta-museum for the future

Will Jennings

Helmut Lang’s bodily sculptures speak to the fragility of LA’s Schindler House

Will Jennings

Despite everything, Valentina Karga invites us to be well at Kunstmuseum Bochum

Alison Hugill

An interview with Kengo Kuma about his design for Lisbon’s Centro de Arte Moderna Gulbenkian

Will Jennings

A dislocated image of 14th century Siena at the National Gallery

Tom Denman

Marshmallow Laser Feast have created an immersive study of one of Kew Gardens’ oldest trees

Will Jennings













00167
A methodology of imaginal travel: Gayle Chong Kwan’s sweet connections between Mauritius & the Isle of Wight

Will Jennings

Alum Sands, Carisbrooke Castle, Gayle Chong Kwan, Colonisation, East India Company, TS Eliot, Empire, Extraction, Geology, Indentured labour, Felix Gonzalez-Torres, Film and Video Umbrella, The Isle of Wight, Will Jennings, John Hansard Gallery, Mauritius, Sand, Sandcastle, Slavery, Southampton, Strata, Sugar, Sugarcane, Sugarcrete, Towers, University of East London



00142
Material, form & process: Matt Rugg’s post-industrial sculptures

Will Jennings

Alvar Aalto, Apollo Pavilion, Assemblage, Cable, Chelsea School of Art, Cooling towers, Craft, Design, Education, Factories, Fencing, Richard Hamilton, Hatton Gallery, Industrial, Industry, Will Jennings, James Joyce, Metal, Merzbarn, Newcastle, Painting, Peterlee, Eduardo Paolozzi, Victor Pasmore, Plastic, Gerrit Rietveld, Matt Rugg, Kurt Schwitters, Sculpture, Steel, Tools, TS Eliot, Harriet Sutcliffe, University of Newcastle, Wire, Wood



00060
Faded fairgrounds: Dave Clarkson’s sonic seaside trip

Album, Ambient, Amusement Park, Amusements, Ballroom, Dave Clarkson, Collage, Development, Dreamland, TS Eliot, Fairground, Funfair, Gentrification, Hauntology, Margate, Memory, Montage, Music, Nostalgia, Seaside, Soundscape, Sound art, Technology, The Waste Land



   

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