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A visit to Hauser & Wirth LA: architecture, gardens, food & art
Edinburgh Art Festival 2025: our highlights
Learning how to live at Venice Biennale

Rob Fiehn
The country’s newest stone circle has been created in Luton as a space for gathering & community

Will Jennings
An interview with Ronald Rael about 3d printed mud architecture at Desert X
Discover the culture & spaces that influence leading artists in a new book by Ben Luke












00167
A methodology of imaginal travel: Gayle Chong Kwan’s sweet connections between Mauritius & the Isle of Wight

Will Jennings

Alum Sands, Carisbrooke Castle, Gayle Chong Kwan, Colonisation, East India Company, TS Eliot, Empire, Extraction, Geology, Indentured labour, Felix Gonzalez-Torres, Film and Video Umbrella, The Isle of Wight, Will Jennings, John Hansard Gallery, Mauritius, Sand, Sandcastle, Slavery, Southampton, Strata, Sugar, Sugarcane, Sugarcrete, Towers, University of East London



00142
Material, form & process: Matt Rugg’s post-industrial sculptures

Will Jennings

Alvar Aalto, Apollo Pavilion, Assemblage, Cable, Chelsea School of Art, Cooling towers, Craft, Design, Education, Factories, Fencing, Richard Hamilton, Hatton Gallery, Industrial, Industry, Will Jennings, James Joyce, Metal, Merzbarn, Newcastle, Painting, Peterlee, Eduardo Paolozzi, Victor Pasmore, Plastic, Gerrit Rietveld, Matt Rugg, Kurt Schwitters, Sculpture, Steel, Tools, TS Eliot, Harriet Sutcliffe, University of Newcastle, Wire, Wood



00060
Faded fairgrounds: Dave Clarkson’s sonic seaside trip

Album, Ambient, Amusement Park, Amusements, Ballroom, Dave Clarkson, Collage, Development, Dreamland, TS Eliot, Fairground, Funfair, Gentrification, Hauntology, Margate, Memory, Montage, Music, Nostalgia, Seaside, Soundscape, Sound art, Technology, The Waste Land



   

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