︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00263
The book & exhibitions of Hélène Binet’s photographs of Jewish country houses
Hélène Binet
,
Book
,
Juliet Carey
,
Country house
,
Abigail Green
,
Baron Hermann de Stern
,
House
,
Jewish
,
Jewish Country Houses
,
Liebermann Villa
,
Neil MacGregor
,
Photography
,
Profile Editions
,
Mies van der Rohe
,
Strawberry Hill House
,
University of Oxford
,
Villa La Montesca
,
Villa Tugendhat
,
Waddesdon Manor
,
Frances Waldegrave
,
Horace Walpole
00164
St
eve McQueen’s Occupied City: documenting Amsterdam’s absences
Darran Anderson
Absences
,
Amsterdam
,
Antisemitism
,
Atlas of an Occupied City
,
City
,
Covid
,
Darran Anderson
,
Documentary
,
Film
,
History
,
The Holocaust
,
Jewish
, Jewish Museum Berlin
,
Elem Klimov
,
Claude Lanzmann
,
Primo Levi
,
Daniel Libeskind
,
Steve McQueen
,
Memory
,
Occupied City
,
Shoah
,
Bianca Stigter
,
World War Two
00051
historicity: a walking podcast to reveal cities
Angus Lockyer
Archaeology
,
City of London
,
City of London Corporation
,
Democracy
,
East India Company
,
Guildhall
,
Guildhall Art Gallery
,
Historicity
,
William Hodges
,
Jewish
,
Horace Jones
,
London
,
Angus Lockyer
,
Podcast
,
Power
,
Jelena Sofronijevic
,
Walking
TRAVEL
ABOUT
NEWSLETTER
INDEX
︎
Venice
Biennale 2025: part 3,
the 
