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From Bauhaus to birdhouse: world famous architects’ avian designs for charity
In search of oracular places at the 36th Ljubljana Biennale of Graphic Arts
Lorenzo Graf
Riccardo Buck
An interview with Mike Nelson on architectural sculpture & the making of place
Hypha Studios x recessed.space: Nina Oltarzewska is turning art inside
out
Will Jennings
Our highlights from Berlin Art Week 2025
Post-industrial clay: the British Ceramics Biennial in Stoke-on-Trent
Veronica Simpson
00167
A methodology of imaginal travel: Gayle Chong Kwan’s sweet connections between Mauritius & the Isle of Wight
Will Jennings
Alum Sands
,
Carisbrooke Castle
,
Gayle Chong Kwan
,
Colonisation
,
East India Company
,
TS Eliot
,
Empire
,
Extraction
,
Geology
,
Indentured labour
,
Felix Gonzalez-Torres
,
Film and Video Umbrella
,
The Isle of Wight
,
Will Jennings
,
John Hansard Gallery
,
Mauritius
,
Sand
,
Sandcastle
,
Slavery
,
Southampton
,
Strata
,
Sugar
,
Sugarcane
,
Sugarcrete
,
Towers
,
University of East London
00090
Histories collide with Todd Gray’s photographic portals
Baroque
,
Body
,
Colonialism
,
Fontainebleau
,
Ghana
,
History
,
Todd Gray
,
Michael Jackso
n,
Layering
,
Lehmann Maupin
,
Music
,
Nature
,
Nude
,
Photography
,
Race
,
Allan Sekula
,
Silhouette
,
Slavery
00042
Being & looking in landscape: Ingrid Pollard’s archaeology
Will Jennings
Being
,
Capability Brown
,
Turner Contemporary
,
Cumbrian National Park
,
Farne Islands
,
James Hakewell
,
Jamaica
,
Lake District
,
Landscape
,
Looking
,
Picturesque
,
Photography
,
Ingrid Pollard
,
Race
,
Slavery
,
Turner Contemporary
,
Valentine and Sons
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