Alum Sands, Carisbrooke Castle, Gayle Chong Kwan, Colonisation, East India Company, TS Eliot, Empire, Extraction, Geology, Indentured labour, Felix Gonzalez-Torres, Film and Video Umbrella, The Isle of Wight, Will Jennings, John Hansard Gallery, Mauritius, Sand, Sandcastle, Slavery, Southampton, Strata, Sugar, Sugarcane, Sugarcrete, Towers, University of East London
Lawrence Abu Hamdan, Aqsa Arif, Crystal Bennes, Birmingham, Sean Burns, Calton Hill, Collective, Colonisation, Andrew Cranston, Czech Republic, Decolonisation, Dorothy Towers, Edinburgh, Edinburgh Art Festival, Edinburgh Sculpture Workshop, Empire, Feminism, Film, French Institute, Installation, Ireland, Markéta Luskačová, Haven for Artists, Ingleby Gallery, Will Jennings, Adam Lewis Jacob, Jesse Jones, Rudy Kanhye, Ryosuke Kiyasu, Tarek Lakhrissi, Lebanon, Richard Maguire, Painting, Photography, Platform, Stills, Sutherland Hussey Harris Architects, Talbot Rice, Sebastian Thomas, Sculpture, Trinity Apse, Rabindranath X Bhose, Witch
Carpet, Darkness, Empire, FELT TIP, Roger Fry, Glasgow, Glasgow Museum of Modern Art, GoMa, Hunterian Art Gallery, installation, KOHL, mines, Mitchell Library, patriarchy, Elizabeth Price, Neil Scott, SLOW DANS, sound, THE TEACHERS, tie, tunnels, video, Albert Walker, Virginia Woolf