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An interview with Sumayya Vally on architecture, community & Ibraaz

Swinging in the gallery: art meets golf at Battersea Arts Centre

An interview with Lord Cholmondeley on Houghton Hall’s history & future of contemporary art


Will Jennings

Listening to 17,000-year-old architecture: Oliver Beer at Thaddaeus Ropa
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Will Jennings

Curiosity triggered: Daiga Grantina’s sculptures dance with architecture at the Mead Gallery

Isabel de Vasconcellos

The Grand in Folkestone: ambitious plans for a Barbican-by-the-Sea










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A methodology of imaginal travel: Gayle Chong Kwan’s sweet connections between Mauritius & the Isle of Wight

Will Jennings

Alum Sands, Carisbrooke Castle, Gayle Chong Kwan, Colonisation, East India Company, TS Eliot, Empire, Extraction, Geology, Indentured labour, Felix Gonzalez-Torres, Film and Video Umbrella, The Isle of Wight, Will Jennings, John Hansard Gallery, Mauritius, Sand, Sandcastle, Slavery, Southampton, Strata, Sugar, Sugarcane, Sugarcrete, Towers, University of East London



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12 top picks from Milan’s miart art fair

Yuri Ancarani, Archeology, Art fair, Bel Ami, Ruth Beraha, Pedro Cabrita Reis, Duilo Cambellotti, Concrete, Marcus Cope, Copetti Antiquari, Crack, Curtain, Destruction, Dreams, Dušan Džamonja, eastcontemporary, Film, Darren Flook Gallery, Andrea Francolino, Galleria Fumagalli, Gian Marco Casini Gallery, Glass, Glendale, Olivia Hill, Illustration, Installation, Emilia Kina, Landscape, Los Angeles, Mai 36 Galleri, Mazzoleni, miart, Milan, Margherita Moscardini, Model, William Morris, Mosque, Nature, Ncontemporary, Opera, PAC, Padiglione d’Arte Contemporanea, Painting, Photography, Anne and Patrick Poirier, Primo Marrella Gallery, Psychology, Ruin, Sand, Sandcastle, San Siro, Sculpture, Stadium, Stage, Stained glass, Urban, Paul Virilio, He Wei, Window, Wood, ZERO



   

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