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Cerith Wyn Evans glows in MAAT, Lisbon
Will Jennings
Ursula K Le Guin’s speculative cartography
Sam Moore
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
00205
Venice 2024: Yoo Youngkuk at Carlo Scarpa’s Fondazione Querini Stampalia
Abstract
,
Fondazione Querini Stampalia
,
Kim Inhye
,
Japan
,
Korea
,
Landscape
,
Mountain
,
Painting
,
Carlo Scarpa
,
Sea
,
Uljin
,
Venice Biennale
,
Yoo Youngkuk
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