James Lee Byars, Italo Calvino, Canada, Wong Weng Cheong, Croatia, Czech Republic, Finland, Fondazione Querini Stampalia, Vlatka Horvat, Ireland, Istituto Veneto di Scienze Lettere ed Arti, Emilia Kabakov, Ilya Kabakov, K21–Kunstsammlung Nordrhein-Westfalen, Kapwani Kiwanga, Eva Koťátková, Seung-taek Lee, Pia Lindman, Macau, Julie Mehretu, Palazzo Grassi, Romania, Vidha Saumya, Șerban Savu, Jimali Singh Soin, David Soin Tappeser, Kaisa Sööt, Thaddaeus Ropac, Venice Biennale, Eimear Walshe, Michael Werner, Jenni-Juulia Wallinheimo-Heimonen
Art Not Genocide Alliance, Balenciaga, Buccellati, Gabriel Bella, Huma Bhabha, Bottega Veneta, Canale della Giudecca, Julien Creuzet, Brunello Cucinelli, Aleksandar Denić, Willem de Kooning, Guerreiro do Divino Amor, Fondazione In Between Art Film, Fondazione Querini Stampalia, Jeffrey Gibson, Glass, Pierre Huyghe, Robert Indiana, Isora x Lozuraityte Studio, Roman Khimei, LAS Art Foundation, Anna Maria Maiolino, Yarema Malashchuk, Diego Marcon, Marni, Archie Moore, Josèfa Ntjam, Pakui Hardware, Palestine, Photo essay, Photography, Pinchuk Art Centre, Punta della Dogana, Ione Saldanha, Mark Salvatus, Carlo Scarpa, Raf Simmons, Ukraine, UNA/UNLESS, Venice, Venice Biennale, Window, Carlo Zambon
Abstract, Fondazione Querini Stampalia, Kim Inhye, Japan, Korea, Landscape, Mountain, Painting, Carlo Scarpa, Sea, Uljin, Venice Biennale, Yoo Youngkuk