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Our top ten highlights from Photo London as it enters a new era
Californian architects MAP are using AI to push a new frontier into uncanny valley

Steve Taylor

The new Nederlands Fotomuseum reuses a Rotterdam warehouse & offers the city a new architectural approach

Will Jennings

An interview with Louis Pohl Koseda on drawing, capital & AI

The essential Palm Springs part 3: the Coachella Valley

The essential Palm Springs part 2: beyond the city limits










00304
Venice Biennale 2025: part 1, the good

Tea Ala-Ruona, AMO/OMA, Arsenale Institute for Political Representation, Tolia Astakhishvilli, Bahrain, John Baldessari, Barricades, Belgium, Bodies, Canada, Gaëlle Choisne, Albrecht Dürer, Fondazione Prada, Fondazione Querini Stampalia, Gallerie dell'Accademia, Giorgione, GRACE, Ireland, Rem Koolhaas, Living Room Collective, Luxembourg, Stefano Mancuso, Michelangelo, Montenegro, Museu Correr, Netherlands, Nicoletta Fiorucci Foundation, Nordic Pavilion, Hans Ulrich Obrist, OMA, Jorge Orta, Lucy Orta, Poland, Antonio Rizzo, Emir Šehanović, Serbia, Carlo Scarpa, Scuola Piccola Zattere, Harry Seidler, Slovenia, SMAC, Bas Smets, SPARC, Ivan Šuković, Sun Heliocomplex, Dejan Todorović, Uzbekistan, Venice, Venice Biennale, Leonardo da Vinci, Jung Youngsun, Miljana Zeković



00217
Venice 2024: a visual essay of Biennale & city

Carlo Zambon

Art Not Genocide Alliance, Balenciaga, Buccellati, Gabriel Bella, Huma Bhabha, Bottega Veneta, Canale della Giudecca, Julien Creuzet, Brunello Cucinelli, Aleksandar Denić, Willem de Kooning, Guerreiro do Divino Amor, Fondazione In Between Art Film, Fondazione Querini Stampalia, Jeffrey Gibson, Glass, Pierre Huyghe, Robert Indiana, Isora x Lozuraityte Studio, Roman Khimei, LAS Art Foundation, Anna Maria Maiolino, Yarema Malashchuk, Diego Marcon, Marni, Archie Moore, Josèfa Ntjam, Pakui Hardware, Palestine, Photo essay, Photography, Pinchuk Art Centre, Punta della Dogana, Ione Saldanha, Mark Salvatus, Carlo Scarpa, Raf Simmons, Ukraine, UNA/UNLESS, Venice, Venice Biennale, Window, Carlo Zambon



00205
Venice 2024: Yoo Youngkuk at Carlo Scarpa’s Fondazione Querini Stampalia

Abstract, Fondazione Querini Stampalia, Kim Inhye, Japan, Korea, Landscape, Mountain, Painting, Carlo Scarpa, Sea, Uljin, Venice Biennale, Yoo Youngkuk



   

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