recessed.space

Delaine Le Bas is stitching stories at Newcastle Contemporary Art

Will Jennings

Burn the Sheets: an exhibition on the making of trans domesticity

Barney Pau

Goodwood & the art of slowing down

Venice Biennale, 28 days later

Yuki Sumner

Leonardo Drew has created a motionless explosion in the South London Gallery

Will Jennings

Empty chairs & liminal spaces: Alexandra Metcalf’s Gaaaaaaasp

Rochelle Roberts

Animals in the clouds: exploring deep-time landscape & art of the Biennale Gherdëina

Will Jennings
Carlo Zambon

Talar Aghbashian, Animals, Nassim Azarzar, Bark beetle, Yesmine Ben Khelil, Chiara Bersani, Alessandro Biggio, Ruth Beraha, Biennale Gherdëina, Birds, Bolzano, Coral, Helene Demetz, Dolomites, Esraa Elfeky, Andro Eradze, Karl Felix Drew, Fischburg Castle, GAMeC, Daniele Genadry, Lorenzo Giusti, Arnold Holzknecht, Michael Höpfner, Ingela Ihrman, Linda Jasmin Mayer, Will Jennings, Nadia Kaabi-Linke, Katia Kameli, Kulturhaus Luis Trenker, Ladin, Language, Landscape, Laurent Le Deunff, Manifesta, Marmot, Lin May Saeed, Mountain, Museion, Myth, Mythology, Nature, Ocean, Ortisei, Femmy Otten, Marta Papini, Performance, Plateau, Diana Policarpo, Sara Ouhaddou, Sea, Sculpture, South Tyrol, Tobias Tavella, Trentino, Urtijëi, Val Gardena, Julius von Bismarck, Walking, Wolf, Wood, Carlo Zambon

Venice 2024: Yoo Youngkuk at Carlo Scarpa’s Fondazione Querini Stampalia

Abstract, Fondazione Querini Stampalia, Kim Inhye, Japan, Korea, Landscape, Mountain, Painting, Carlo Scarpa, Sea, Uljin, Venice Biennale, Yoo Youngkuk

A new way of seeing: Thomas Huber’s landscapes

Robert Barry

Robert Barry, Ferdinand Hodler, Thomas Huber, Lake, Lake Lugano, Lugano, MASI Lugano, Mountain, Museo d’arte della Svizzera Italiana, Painting, Luigi Rossi, Richard Seewald, Switzerland, Félix Vallotton, Mariane von Werefkin

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