︎
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
00216
Animals in the clouds: exploring deep-time landscape & art of the Biennale Gherdëina
Will Jennings
Carlo Zambon
Talar Aghbashian
,
Animals
,
Nassim Azarzar
,
Bark beetle
,
Yesmine Ben Khelil
,
Chiara Bersani
,
Alessandro Biggio
,
Ruth Beraha
,
Biennale Gherdëina
,
Birds
,
Bolzano
,
Coral
,
Helene Demetz
,
Dolomites
,
Esraa Elfeky
,
Andro Eradze
,
Karl Felix Drew
,
Fischburg Castle
,
GAMeC
,
Daniele Genadry
,
Lorenzo Giusti
,
Arnold Holzknecht
,
Michael Höpfner
,
Ingela Ihrman
,
Linda Jasmin Mayer
,
Will Jennings
,
Nadia Kaabi-Linke
,
Katia Kameli
,
Kulturhaus Luis Trenker
,
Ladin
,
Language
,
Landscape
,
Laurent Le Deunff
,
Manifesta
,
Marmot
,
Lin May Saeed
,
Mountain
,
Museion
,
Myth
,
Mythology
,
Nature
,
Ocean
,
Ortisei
,
Femmy Otten
,
Marta Papini
,
Performance
,
Plateau
,
Diana Policarpo
,
Sara Ouhaddou
,
Sea
,
Sculpture
,
South Tyrol
,
Tobias Tavella
,
Trentino
,
Urtijëi
,
Val Gardena
,
Julius von Bismarck
,
Walking
,
Wolf
,
Wood,
Carlo Zambon
00205
Venice 2024: Yoo Youngkuk at Carlo Scarpa’s Fondazione Querini Stampalia
Abstract
,
Fondazione Querini Stampalia
,
Kim Inhye
,
Japan
,
Korea
,
Landscape
,
Mountain
,
Painting
,
Carlo Scarpa
,
Sea
,
Uljin
,
Venice Biennale
,
Yoo Youngkuk
00148
A new way of seeing: Thomas Huber’s landscapes
Robert Barry
Robert Barry
,
Ferdinand Hodler
,
Thomas Huber
,
Lake
,
Lake Lugano
,
Lugano
,
MASI Lugano
,
Mountain
,
Museo d’arte della Svizzera Italiana
,
Painting
,
Luigi Rossi
,
Richard Seewald
,
Switzerland
,
Félix Vallotton
,
Mariane von Werefkin
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