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Helmut Lang’s bodily sculptures speak to the fragility of LA’s Schindler House

Will Jennings

Despite everything, Valentina Karga invites us to be well at Kunstmuseum Bochum

Alison Hugill

An interview with Kengo Kuma about his design for Lisbon’s Centro de Arte Moderna Gulbenkian

Will Jennings

A dislocated image of 14th century Siena at the National Gallery

Tom Denman

Marshmallow Laser Feast have created an immersive study of one of Kew Gardens’ oldest trees

Will Jennings

10 galleries you should know about from Miart 2025 in Milan













00205
Venice 2024: Yoo Youngkuk at Carlo Scarpa’s Fondazione Querini Stampalia

Abstract, Fondazione Querini Stampalia, Kim Inhye, Japan, Korea, Landscape, Mountain, Painting, Carlo Scarpa, Sea, Uljin, Venice Biennale, Yoo Youngkuk



00113
Leighton House rediscovered: Evelyn De Morgan, Shahrzad Ghaffari & Nour Hage

Jelena Sofronijevic

Abstract, Anatomy, Arab British Centre, Arabic, Emilie Barrington, BDP, Walter Crane, Domestic, Drawing, Empire Lines, Evelyn De Morgan, William De Morgan, Fabric, Shahrzad Ghaffari, Geography, Gold, Nour Hage, Painting, Post colonial, Sarah Hardy, Frederick Leighton, Leighton House, Liberty, Morris & Co, Mural, Museum, Museum of the Year, Jelena Sofronijevic, Textile



00107
Finding hope within Hurvin Anderson’s barbershops

Jelena Sofronijevic

Abstract, Hurvin Anderson, Barbers, Barbershop, Barbershop Chronicles, Birmingham, Caribbean, Hastings Contemporary, Identity, Impressionism, Inua Ellams, Kistefos, Painting, Postcolonial, Salon, Social infrastructure, Jelena Sofronijevic, The Hepworth Wakefield, The National Theatre, Thomas Dane Gallery, Windrush



   

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