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Burn the Sheets: an exhibition on the making of trans domesticity

Barney Pau
Goodwood & the art of slowing down
Venice Biennale, 28 days later

Yuki Sumner
Leonardo Drew has created a motionless explosion in the South London Gallery

Will Jennings

Empty chairs & liminal spaces: Alexandra Metcalf’s Gaaaaaaasp

Rochelle Roberts

V&A East Storehouse is a thrilling meta-museum for the future

Will Jennings













00205
Venice 2024: Yoo Youngkuk at Carlo Scarpa’s Fondazione Querini Stampalia

Abstract, Fondazione Querini Stampalia, Kim Inhye, Japan, Korea, Landscape, Mountain, Painting, Carlo Scarpa, Sea, Uljin, Venice Biennale, Yoo Youngkuk



00113
Leighton House rediscovered: Evelyn De Morgan, Shahrzad Ghaffari & Nour Hage

Jelena Sofronijevic

Abstract, Anatomy, Arab British Centre, Arabic, Emilie Barrington, BDP, Walter Crane, Domestic, Drawing, Empire Lines, Evelyn De Morgan, William De Morgan, Fabric, Shahrzad Ghaffari, Geography, Gold, Nour Hage, Painting, Post colonial, Sarah Hardy, Frederick Leighton, Leighton House, Liberty, Morris & Co, Mural, Museum, Museum of the Year, Jelena Sofronijevic, Textile



00107
Finding hope within Hurvin Anderson’s barbershops

Jelena Sofronijevic

Abstract, Hurvin Anderson, Barbers, Barbershop, Barbershop Chronicles, Birmingham, Caribbean, Hastings Contemporary, Identity, Impressionism, Inua Ellams, Kistefos, Painting, Postcolonial, Salon, Social infrastructure, Jelena Sofronijevic, The Hepworth Wakefield, The National Theatre, Thomas Dane Gallery, Windrush



   

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