︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00205
Venice 2024: Yoo Youngkuk at Carlo Scarpa’s Fondazione Querini Stampalia
Abstract
,
Fondazione Querini Stampalia
,
Kim Inhye
,
Japan
,
Korea
,
Landscape
,
Mountain
,
Painting
,
Carlo Scarpa
,
Sea
,
Uljin
,
Venice Biennale
,
Yoo Youngkuk
00113
Leighton House rediscovered: Evelyn De Morgan, Shahrzad Ghaffari & Nour Hage
Jelena Sofronijevic
Abstract
,
Anatomy
,
Arab British Centre
,
Arabic
,
Emilie Barrington
,
BDP
,
Walter Crane
,
Domestic
,
Drawing
,
Empire Lines
,
Evelyn De Morgan
,
William De Morgan
,
Fabric
,
Shahrzad Ghaffari
,
Geography
,
Gold
,
Nour Hage
,
Painting
,
Post colonial
,
Sarah Hardy
,
Frederick Leighton
,
Leighton House
,
Liberty
,
Morris & Co
,
Mural
,
Museum
,
Museum of the Year
,
Jelena Sofronijevic
,
Textile
00107
Finding hope within Hurvin Anderson’s barbershops
Jelena Sofronijevic
Abstract
,
Hurvin Anderson
,
Barbers
,
Barbershop
,
Barbershop Chronicles
,
Birmingham
,
Caribbean
,
Hastings Contemporary
,
Identity
,
Impressionism
,
Inua Ellams
,
Kistefos
,
Painting
,
Postcolonial
,
Salon
,
Social infrastructure
,
Jelena Sofronijevic
,
The Hepworth Wakefield
,
The National Theatre
,
Thomas Dane Gallery
,
Windrush
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INDEX
︎
Venice
Biennale 2025: part 3,
the 
