︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00182
In bloom: Konstantin Zhukov‘s intimate & ephemeral Black Carnation
Will Ferreira Dyke
Archive
,
Black carnation
,
Cruising
,
Domestic
,
Will Ferreira Dyke
,
Ephemera
,
Gay
,
Intimacy
,
Latvia
,
LGBTQ+
,
Jose Esteban Muñoz
,
Neven
,
Photography
,
Queer
,
Riga
,
Sex
,
Soviet
,
Train ticket
,
Raymond Williams
,
Konstantin Zhukov
00153
An architectural migration: Augustas Serapinas’ greenhouse
Will Jennings
Art Deco
,
Borscht
,
Conservation
,
Emalin
,
Frame
,
Gentrification
,
Greenhouse
,
Growing
,
Handmade
,
Herbs
,
Heritage
,
Will Jennings
,
Kaunas
,
Lichtenfels Sculpture
,
Lithuania
,
Maintenance
,
Gordon Matta-Clark
,
Metal
,
Migration
,
Nostalgia
,
Politics
,
Recipe
,
Relocation
,
Repair
,
River Kamp
,
Saltibarščiai
,
Augustas Serapinas
,
Soviet
,
Stew
,
Structure
,
Timber
,
Timber frame
,
Užupis
,
Vegetables
,
Vernacular
,
Vilnius
,
Wood
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NEWSLETTER
INDEX
︎
Venice
Biennale 2025: part 3,
the 
