︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00283
Folkestone Triennial looks deep in time, land & sea
Amulet
,
Anthropocene
,
Sorcha Carey
,
Cooking Sections
,
Dorothy Cross
,
Earth
,
Creative Folkestone
,
Folkestone
,
Folkestone Triennial
,
Geology
,
Ignalina
,
Land
,
Lithuania
,
J Maizlish Mole
,
Monster Chetwynd
,
Nuclear
,
Katie Paterson
,
Laure Prouvost
,
Sculpture
,
Sea
,
Sewers
,
Emilija Škarnulytė
,
Alistair Upton
00153
An architectural migration: Augustas Serapinas’ greenhouse
Will Jennings
Art Deco
,
Borscht
,
Conservation
,
Emalin
,
Frame
,
Gentrification
,
Greenhouse
,
Growing
,
Handmade
,
Herbs
,
Heritage
,
Will Jennings
,
Kaunas
,
Lichtenfels Sculpture
,
Lithuania
,
Maintenance
,
Gordon Matta-Clark
,
Metal
,
Migration
,
Nostalgia
,
Politics
,
Recipe
,
Relocation
,
Repair
,
River Kamp
,
Saltibarščiai
,
Augustas Serapinas
,
Soviet
,
Stew
,
Structure
,
Timber
,
Timber frame
,
Užupis
,
Vegetables
,
Vernacular
,
Vilnius
,
Wood
00036
Sun & Sea: A beach holiday transformed as ecological opera
Albany Theatre
,
Rugilė Barzdžiukaitė
,
Beach
,
Climate
,
Deptford
,
Ecology
,
Vaiva Grainytė
,
Guggenheim Museum
,
David Grandorge
,
Howell Killick Partridge & Amis
.
Lina Lapelytė
,
Lithuania
,
Nature
,
Opera
,
John Partridge
,
Performance
,
Sea
,
Sun
,
Sun & Sea
,
Theatre
,
Travel
,
Venice Biennale
,
Witherford Watson Mann architects
TRAVEL
ABOUT
NEWSLETTER
INDEX
︎
Venice
Biennale 2025: part 3,
the 
