︎
Venice Biennale 2025: part 2, the bad
Venice Biennale 2025: part 1, the good

Temporary & permanent culture finds a place in Middlesbrough

Will Jennings

The recessed.space highlights from Frieze Art Fair 2025

Playtime at the Pavilions: Carmody Groarke at Dulwich Picture Gallery

Rob Fiehn

From Bauhaus to birdhouse: world famous architects’ avian designs for charity











00283
Folkestone Triennial looks deep in time, land & sea

Amulet, Anthropocene, Sorcha Carey, Cooking Sections, Dorothy Cross, Earth, Creative Folkestone, Folkestone, Folkestone Triennial, Geology, Ignalina, Land, Lithuania, J Maizlish Mole, Monster Chetwynd, Nuclear, Katie Paterson, Laure Prouvost, Sculpture, Sea, Sewers, Emilija Škarnulytė, Alistair Upton



00153
An architectural migration: Augustas Serapinas’ greenhouse

Will Jennings

Art Deco, Borscht, Conservation, Emalin, Frame, Gentrification, Greenhouse, Growing, Handmade, Herbs, Heritage, Will Jennings, Kaunas, Lichtenfels Sculpture, Lithuania, Maintenance, Gordon Matta-Clark, Metal, Migration, Nostalgia, Politics, Recipe, Relocation, Repair, River Kamp, Saltibarščiai, Augustas Serapinas, Soviet, Stew, Structure, Timber, Timber frame, Užupis, Vegetables, Vernacular, Vilnius, Wood



00036
Sun & Sea: A beach holiday transformed as ecological opera

Albany Theatre, Rugilė Barzdžiukaitė, Beach, Climate, Deptford, Ecology, Vaiva Grainytė, Guggenheim Museum, David Grandorge, Howell Killick Partridge & Amis. Lina Lapelytė, Lithuania, Nature, Opera, John Partridge, Performance, Sea, Sun, Sun & Sea, Theatre, Travel, Venice Biennale, Witherford Watson Mann architects



   

 TRAVEL   ABOUT   NEWSLETTER   INDEX   ︎