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In search of oracular places at the 36th Ljubljana Biennale of Graphic Arts

An interview with Mike Nelson on architectural sculpture & the making of place

Hypha Studios x recessed.space: Nina Oltarzewska is turning art inside
out

Will Jennings

Our highlights from Berlin Art Week 2025
Post-industrial clay: the British Ceramics Biennial in Stoke-on-Trent

Veronica Simpson
Tolia Astakhishvili’s architectural excavation in Venice changes the way artists use the city

Will Jennings

 











00283
Folkestone Triennial looks deep in time, land & sea

Amulet, Anthropocene, Sorcha Carey, Cooking Sections, Dorothy Cross, Earth, Creative Folkestone, Folkestone, Folkestone Triennial, Geology, Ignalina, Land, Lithuania, J Maizlish Mole, Monster Chetwynd, Nuclear, Katie Paterson, Laure Prouvost, Sculpture, Sea, Sewers, Emilija Škarnulytė, Alistair Upton



00153
An architectural migration: Augustas Serapinas’ greenhouse

Will Jennings

Art Deco, Borscht, Conservation, Emalin, Frame, Gentrification, Greenhouse, Growing, Handmade, Herbs, Heritage, Will Jennings, Kaunas, Lichtenfels Sculpture, Lithuania, Maintenance, Gordon Matta-Clark, Metal, Migration, Nostalgia, Politics, Recipe, Relocation, Repair, River Kamp, Saltibarščiai, Augustas Serapinas, Soviet, Stew, Structure, Timber, Timber frame, Užupis, Vegetables, Vernacular, Vilnius, Wood



00036
Sun & Sea: A beach holiday transformed as ecological opera

Albany Theatre, Rugilė Barzdžiukaitė, Beach, Climate, Deptford, Ecology, Vaiva Grainytė, Guggenheim Museum, David Grandorge, Howell Killick Partridge & Amis. Lina Lapelytė, Lithuania, Nature, Opera, John Partridge, Performance, Sea, Sun, Sun & Sea, Theatre, Travel, Venice Biennale, Witherford Watson Mann architects



   

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