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Delaine Le Bas is stitching stories at Newcastle Contemporary Art

Will Jennings
Burn the Sheets: an exhibition on the making of trans domesticity

Barney Pau
Goodwood & the art of slowing down
Venice Biennale, 28 days later

Yuki Sumner
Leonardo Drew has created a motionless explosion in the South London Gallery

Will Jennings

Empty chairs & liminal spaces: Alexandra Metcalf’s Gaaaaaaasp

Rochelle Roberts













00178
An uncanny framing: Thea Djordjadze at Sprüth Magers
Design, Furniture, Thea Djordjadze, Metal, Minimal, Monochrome, Sculpture, Sprüth Magers


00153
An architectural migration: Augustas Serapinas’ greenhouse

Will Jennings

Art Deco, Borscht, Conservation, Emalin, Frame, Gentrification, Greenhouse, Growing, Handmade, Herbs, Heritage, Will Jennings, Kaunas, Lichtenfels Sculpture, Lithuania, Maintenance, Gordon Matta-Clark, Metal, Migration, Nostalgia, Politics, Recipe, Relocation, Repair, River Kamp, Saltibarščiai, Augustas Serapinas, Soviet, Stew, Structure, Timber, Timber frame, Užupis, Vegetables, Vernacular, Vilnius, Wood



00142
Material, form & process: Matt Rugg’s post-industrial sculptures

Will Jennings

Alvar Aalto, Apollo Pavilion, Assemblage, Cable, Chelsea School of Art, Cooling towers, Craft, Design, Education, Factories, Fencing, Richard Hamilton, Hatton Gallery, Industrial, Industry, Will Jennings, James Joyce, Metal, Merzbarn, Newcastle, Painting, Peterlee, Eduardo Paolozzi, Victor Pasmore, Plastic, Gerrit Rietveld, Matt Rugg, Kurt Schwitters, Sculpture, Steel, Tools, TS Eliot, Harriet Sutcliffe, University of Newcastle, Wire, Wood



   

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