︎
At Edinburgh’s RSA, architect Richard Murphy looks at the generational family tree of design
Will Jennings
The John Soane x Minecraft collab that allows you to explore ancient architecture
Cerith Wyn Evans glows in MAAT, Lisbon
Will Jennings
Ursula K Le Guin’s speculative cartography
Sam Moore
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
00178
An uncanny framing: Thea Djordjadze at Sprüth Magers
Design
,
Furniture
,
Thea Djordjadze
,
Metal
,
Minimal
,
Monochrome
,
Sculpture
,
Sprüth Magers
00153
An architectural migration: Augustas Serapinas’ greenhouse
Will Jennings
Art Deco
,
Borscht
,
Conservation
,
Emalin
,
Frame
,
Gentrification
,
Greenhouse
,
Growing
,
Handmade
,
Herbs
,
Heritage
,
Will Jennings
,
Kaunas
,
Lichtenfels Sculpture
,
Lithuania
,
Maintenance
,
Gordon Matta-Clark
,
Metal
,
Migration
,
Nostalgia
,
Politics
,
Recipe
,
Relocation
,
Repair
,
River Kamp
,
Saltibarščiai
,
Augustas Serapinas
,
Soviet
,
Stew
,
Structure
,
Timber
,
Timber frame
,
Užupis
,
Vegetables
,
Vernacular
,
Vilnius
,
Wood
00142
Material, form & process: Matt Rugg’s post-industrial sculptures
Will Jennings
Alvar Aalto
,
Apollo Pavilion
,
Assemblage
,
Cable
,
Chelsea School of Art
,
Cooling towers
,
Craft
,
Design
,
Education
,
Factories
,
Fencing
,
Richard Hamilton
,
Hatton Gallery
,
Industrial
,
Industry
,
Will Jennings
,
James Joyce
,
Metal
,
Merzbarn
,
Newcastle
,
Painting
,
Peterlee
,
Eduardo Paolozzi
,
Victor Pasmore
,
Plastic
,
Gerrit Rietveld
,
Matt Rugg
,
Kurt Schwitters
,
Sculpture
,
Steel
,
Tools
,
TS Eliot
,
Harriet Sutcliffe
,
University of Newcastle
,
Wire
,
Wood
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