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Post-industrial clay: the British Ceramics Biennial in Stoke-on-Trent

Veronica Simpson
Tolia Astakhishvili’s architectural excavation in Venice changes the way artists use the city

Will Jennings
An interview with Derrick Adams on the spaces of Black America
A visit to Hauser & Wirth LA: architecture, gardens, food & art
Edinburgh Art Festival 2025: our highlights
Learning how to live at Venice Biennale

Rob Fiehn












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Manchester International Festival kicks off with an eclectic array of culture

A Single Man, Amazon, Aviva Studios, Stefano Boeri, Eric Cantona, Colonisation, Edgar Davids, Factory International, Factory Sounds, Football, Ryan Gander, John Grant, Dave Haslam, Emily Howard, Christopher Isherwood, Germaine Kruip, Suzanne Lacy, Low Kee Hong, Manchester, Manchester Art Gallery, Manchester International Festival, Music, Juan Mata, Sandro Mazzola, John McGrath, Nature, Hans Ulrich Obrist, Peru, Paul Pfeiffer, Ali Riley, Hahn Rowe, Royal Northern College of Music, Adele Tondu, Uitoto, Jonathan Watkins, Ed Watson, The Whitworth, Josh Wilding, Santiago Yahuarcani, Maxi Zee, Zeyla



00147
Aviva Studios in Manchester: a new type of cultural space awaiting new cultural ideas

Will Jennings

Michael Assante, Aviva Studios, Dance, Danny Boyle, Es Devlin, Factory International, Factory Records, Free Your Mind, Fun Palace, Hacienda,Heritage, Industry, Infrastructure, Will Jennings, Joy Division, Ben Kelly, Rem Koolhaas, Joan Littlewood, Sabrina Mahfouz, Manchester, Manchester International Festival, The Matrix, John McGrath, New Order, Oasis, Office for Metropolitan Architecture, OMA,Cedric Price, Gareth Pugh, Kenrick Sandy, Theatre, Alan Turing, Ellen van Loon,Warehouse



   

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