︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00199
Grace Jones in Stockport: Dave Haslam’s DJ-infused writing on unexpected cultural histories
A Certain Ratio
,
Aviva Studios
,
Confingo Publishing
,
Paul Dobraszczyk
,
Hacienda
,
Dave Haslam
,
DJ
,
Russell Harty
,
Grace Jones
,
Liverpool
,
Madonna
,
Manchester
,
New York
,
Paris
,
Stockport
,
Writing
00147
Aviva Studios in Manchester: a new type of cultural space awaiting new cultural ideas
Will Jennings
Michael Assante
,
Aviva Studios
,
Dance
,
Danny Boyle
,
Es Devlin
,
Factory International
,
Factory Records
,
Free Your Mind
,
Fun Palace
,
Hacienda
,
Heritage
,
Industry
,
Infrastructure
,
Will Jennings
,
Joy Division
,
Ben Kelly
,
Rem Koolhaas
,
Joan Littlewood
,
Sabrina Mahfouz
,
Manchester
,
Manchester International Festival
,
The Matrix
,
John McGrath
,
New Order
,
Oasis
,
Office for Metropolitan Architecture
,
OMA
,
Cedric Price
,
Gareth Pugh
,
Kenrick Sandy
,
Theatre
,
Alan Turing
,
Ellen van Loon
,
Warehouse
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Venice
Biennale 2025: part 3,
the 
