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Venice Biennale 2025: part 2, the b
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Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
Playtime at the Pavilions: Carmody Groarke at Dulwich Picture Gallery
Rob Fiehn
From Bauhaus to birdhouse: world famous architects’ avian designs for charity
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Manchester International Festival kicks off with an eclectic array of culture
A Single Man
,
Amazon
,
Aviva Studios
,
Stefano Boeri
,
Eric Cantona
,
Colonisation
,
Edgar Davids
,
Factory International
,
Factory Sounds
,
Football
,
Ryan Gander
,
John Grant
,
Dave Haslam
,
Emily Howard
,
Christopher Isherwood
,
Germaine Kruip
,
Suzanne Lacy
,
Low Kee Hong
,
Manchester
,
Manchester Art Gallery
,
Manchester International Festival
,
Music
,
Juan Mata
,
Sandro Mazzola
,
John McGrath
,
Nature
,
Hans Ulrich Obrist
,
Peru
,
Paul Pfeiffer
,
Ali Riley
,
Hahn Rowe
,
Royal Northern College of Music
,
Adele Tondu
,
Uitoto
,
Jonathan Watkins
,
Ed Watson
,
The Whitworth
,
Josh Wilding
,
Santiago Yahuarcani
,
Maxi Zee
,
Zeyla
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Grace Jones in Stockport: Dave Haslam’s DJ-infused writing on unexpected cultural histories
A Certain Ratio
,
Aviva Studios
,
Confingo Publishing
,
Paul Dobraszczyk
,
Hacienda
,
Dave Haslam
,
DJ
,
Russell Harty
,
Grace Jones
,
Liverpool
,
Madonna
,
Manchester
,
New York
,
Paris
,
Stockport
,
Writing
TRAVEL
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︎
Venice
Biennale 2025: part 2,
the b
Venice
Biennale 2025: part 1,
the good
