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The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
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Venice Biennale 2025: part 2, the b
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Venice Biennale 2025: part 1, the good
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Manchester International Festival kicks off with an eclectic array of culture
A Single Man
,
Amazon
,
Aviva Studios
,
Stefano Boeri
,
Eric Cantona
,
Colonisation
,
Edgar Davids
,
Factory International
,
Factory Sounds
,
Football
,
Ryan Gander
,
John Grant
,
Dave Haslam
,
Emily Howard
,
Christopher Isherwood
,
Germaine Kruip
,
Suzanne Lacy
,
Low Kee Hong
,
Manchester
,
Manchester Art Gallery
,
Manchester International Festival
,
Music
,
Juan Mata
,
Sandro Mazzola
,
John McGrath
,
Nature
,
Hans Ulrich Obrist
,
Peru
,
Paul Pfeiffer
,
Ali Riley
,
Hahn Rowe
,
Royal Northern College of Music
,
Adele Tondu
,
Uitoto
,
Jonathan Watkins
,
Ed Watson
,
The Whitworth
,
Josh Wilding
,
Santiago Yahuarcani
,
Maxi Zee
,
Zeyla
00255
White cube/black box: sculptural light from Germaine Kruip & Anthony McCall
Sam Moore
Body
,
Dark
,
Leonard Cohen
,
Germaine Kruip
,
Light
,
Anthony McCall
,
Sam Moore
,
Shade
,
Shadow
,
Tate Modern
,
The approach
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