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recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the ugly

Venice Biennale 2025: part 2, the b
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Venice Biennale 2025: part 1, the good

Temporary & permanent culture finds a place in Middlesbrough

Will Jennings

The recessed.space highlights from Frieze Art Fair 2025











00304
Venice Biennale 2025: part 1, the good

Tea Ala-Ruona, AMO/OMA, Arsenale Institute for Political Representation, Tolia Astakhishvilli, Bahrain, John Baldessari, Barricades, Belgium, Bodies, Canada, Gaëlle Choisne, Albrecht Dürer, Fondazione Prada, Fondazione Querini Stampalia, Gallerie dell'Accademia, Giorgione, GRACE, Ireland, Rem Koolhaas, Living Room Collective, Luxembourg, Stefano Mancuso, Michelangelo, Montenegro, Museu Correr, Netherlands, Nicoletta Fiorucci Foundation, Nordic Pavilion, Hans Ulrich Obrist, OMA, Jorge Orta, Lucy Orta, Poland, Antonio Rizzo, Emir Šehanović, Serbia, Carlo Scarpa, Scuola Piccola Zattere, Harry Seidler, Slovenia, SMAC, Bas Smets, SPARC, Ivan Šuković, Sun Heliocomplex, Dejan Todorović, Uzbekistan, Venice, Venice Biennale, Leonardo da Vinci, Jung Youngsun, Miljana Zeković



00176
A Vitra exhibition & book showcase Iwan Baan’s architectural moments

James Haynes

Architectural photography, Iwan Baan, Construction, CCTV Building, China, Frank Gehry, James Haynes, Kéré Architecture, Mateo Kries, Rem Koolhaas, OMA, Photography, Starchitects, Toyo Ito & Associates, Vitra Design Museum, Zaha Hadid Architects



00152
Hugh Pearman on writing About Buildings

Hugh Pearman

David Adjaye, Amateur Architecture Studio, Elias Ashmole, The Ashmolean, Aviva Studios, Bayreuth Festspielhaus, Bladerunner, Lina Bo Bardi, Book, Carl Brandt, The British Museum, Otto Brückwald, Richard Burbage, Bernardo Buontalenti, CCTV, Chetwoods, Theo Crosby, Dulwich Picture Gallery, Gianfranco Franchini, Frank Gehry, The Globe Theatre, The Guggenheim Bilbao, Zaha Hadid, History, Bjarke Ingels, Jon Jerder, Langham Place Shopping Mall, Le Corbusier, Frank Lloyd Wright, The Louis Vuitton foundation, MAXXI, Ningbo History Museum, OMA, John Orrell, Magna Park, Andrea Palladio, Hugh Pearman, Renzo Piano, Polykleitos the Younger, The Pompidou Centre, Richard Rogers, The Royal Opera House, São Paulo Museum of Modern Art, Gottfried Semper, Hans Sloane, The Smithsonian National Museum of African American History and Culture, John Soane, Peter Street, The Sydney Opera House, Teatro Olimpico, The Theatre at Epidauros, The Uffizi, Jørn Utzon, Mies van der Rohe, Giorgio Vasari, Villa Tugendhat, Richard Wagner, Walt Disney Concert Hall, Yale University Press



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Aviva Studios in Manchester: a new type of cultural space awaiting new cultural ideas

Will Jennings

Michael Assante, Aviva Studios, Dance, Danny Boyle, Es Devlin, Factory International, Factory Records, Free Your Mind, Fun Palace, Hacienda,Heritage, Industry, Infrastructure, Will Jennings, Joy Division, Ben Kelly, Rem Koolhaas, Joan Littlewood, Sabrina Mahfouz, Manchester, Manchester International Festival, The Matrix, John McGrath, New Order, Oasis, Office for Metropolitan Architecture, OMA,Cedric Price, Gareth Pugh, Kenrick Sandy, Theatre, Alan Turing, Ellen van Loon,Warehouse



00109
Manchester International Festival: finding culture in the city

Will Jennings

Aviva Studios, Angie Bual, Art centre, Biennial, Currency, Economics, Factory International, Ryan Gander, Will Jennings, Manchester, Manchester International Festival, Juan Mata, Mayfield Park, OMA, Pumpkins, Ritual, River Medlock, Performance, Ryuichi Sakamoto, Soan River, Studio Egret West, Risham Syed, Tentacles, The Factory, Tin Drum, Tino Sehgal, Yayoi Kusama, Ellen van Loon, Water, Whitworth



   

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