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A new way of seeing: Thomas Huber’s landscapes
Robert Barry
Aviva Studios in Manchester: a new type of cultural space awaiting new cultural ideas
Will Jennings
Capability Brown meets AI: the perverted nature of Daniel Ambrosi
Steve Taylor
Foto Industria: playing a photographic game across Bologna
Nyima Murry
Panorama L’Aquila: rebuilding a city with culture & gastronomy
Will Jennings
Carlo Zambon
Mancunian ecologies: A Fine Toothed Comb, curated by Lubaina Himid
Paul Dobraszczyk
00147
Aviva Studios in Manchester: a new type of cultural space awaiting new cultural ideas
Will Jennings
Michael Assante
,
Aviva Studios
,
Dance
,
Danny Boyle
,
Es Devlin
,
Factory International
,
Factory Records
,
Free Your Mind
,
Fun Palace
,
Hacienda
,
Heritage
,
Industry
,
Infrastructure
,
Will Jennings
,
Joy Division
,
Ben Kelly
,
Rem Koolhaas
,
Joan Littlewood
,
Sabrina Mahfouz
,
Manchester
,
Manchester International Festival
,
The Matrix
,
John McGrath
,
New Order
,
Oasis
,
Office for Metropolitan Architecture
,
OMA
,
Cedric Price
,
Gareth Pugh
,
Kenrick Sandy
,
Theatre
,
Alan Turing
,
Ellen van Loon
,
Warehouse
00092
Ian Kiaer’s oblique shift of the white cube gallery
Will Jennings
Alison Jacques
,
Venice Biennale
,
Jessie Brennan
,
Drawing Room
,
Foreign Office Architects
,
Geometry
,
Do Ho Suh
,
Installation
,
Ian Kiaer
,
Rem Koolhaas
,
NOX
,
Oblique
,
Oosterhuis Associates
,
OMA
,
Painting
,
Claude Parent
,
Paris
,
Perspex
,
Mike Rundell
,
Tanoa Sasraku
,
Emily Speed
,
Lars Spuybroek
,
Zaha Hadid Architects
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