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Leonardo Drew has created a motionless explosion in the South London Gallery

Will Jennings

Empty chairs & liminal spaces: Alexandra Metcalf’s Gaaaaaaasp

Rochelle Roberts

V&A East Storehouse is a thrilling meta-museum for the future

Will Jennings

Helmut Lang’s bodily sculptures speak to the fragility of LA’s Schindler House

Will Jennings

Despite everything, Valentina Karga invites us to be well at Kunstmuseum Bochum

Alison Hugill

An interview with Kengo Kuma about his design for Lisbon’s Centro de Arte Moderna Gulbenkian

Will Jennings













00176
A Vitra exhibition & book showcase Iwan Baan’s architectural moments

James Haynes

Architectural photography, Iwan Baan, Construction, CCTV Building, China, Frank Gehry, James Haynes, Kéré Architecture, Mateo Kries, Rem Koolhaas, OMA, Photography, Starchitects, Toyo Ito & Associates, Vitra Design Museum, Zaha Hadid Architects



00147
Aviva Studios in Manchester: a new type of cultural space awaiting new cultural ideas

Will Jennings

Michael Assante, Aviva Studios, Dance, Danny Boyle, Es Devlin, Factory International, Factory Records, Free Your Mind, Fun Palace, Hacienda,Heritage, Industry, Infrastructure, Will Jennings, Joy Division, Ben Kelly, Rem Koolhaas, Joan Littlewood, Sabrina Mahfouz, Manchester, Manchester International Festival, The Matrix, John McGrath, New Order, Oasis, Office for Metropolitan Architecture, OMA,Cedric Price, Gareth Pugh, Kenrick Sandy, Theatre, Alan Turing, Ellen van Loon,Warehouse



00092
Ian Kiaer’s oblique shift of the white cube gallery  

Will Jennings

Alison Jacques, Venice Biennale, Jessie Brennan, Drawing Room, Foreign Office Architects, Geometry, Do Ho Suh, Installation, Ian Kiaer, Rem Koolhaas, NOX, Oblique, Oosterhuis Associates, OMA, Painting, Claude Parent, Paris, Perspex, Mike Rundell, Tanoa Sasraku, Emily Speed, Lars Spuybroek, Zaha Hadid Architects



   

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