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A biennale that makes all the right calls: MOMENTUM 13 in Norway
Art

Robert Barry
An interview with Peter Cook about Archigram, drawing & building
Delaine Le Bas is stitching stories at Newcastle Contemporary Art

Will Jennings
Burn the Sheets: an exhibition on the making of trans domesticity

Barney Pau
Goodwood & the art of slowing down
Venice Biennale, 28 days later

Yuki Sumner













00176
A Vitra exhibition & book showcase Iwan Baan’s architectural moments

James Haynes

Architectural photography, Iwan Baan, Construction, CCTV Building, China, Frank Gehry, James Haynes, Kéré Architecture, Mateo Kries, Rem Koolhaas, OMA, Photography, Starchitects, Toyo Ito & Associates, Vitra Design Museum, Zaha Hadid Architects



00147
Aviva Studios in Manchester: a new type of cultural space awaiting new cultural ideas

Will Jennings

Michael Assante, Aviva Studios, Dance, Danny Boyle, Es Devlin, Factory International, Factory Records, Free Your Mind, Fun Palace, Hacienda,Heritage, Industry, Infrastructure, Will Jennings, Joy Division, Ben Kelly, Rem Koolhaas, Joan Littlewood, Sabrina Mahfouz, Manchester, Manchester International Festival, The Matrix, John McGrath, New Order, Oasis, Office for Metropolitan Architecture, OMA,Cedric Price, Gareth Pugh, Kenrick Sandy, Theatre, Alan Turing, Ellen van Loon,Warehouse



00092
Ian Kiaer’s oblique shift of the white cube gallery  

Will Jennings

Alison Jacques, Venice Biennale, Jessie Brennan, Drawing Room, Foreign Office Architects, Geometry, Do Ho Suh, Installation, Ian Kiaer, Rem Koolhaas, NOX, Oblique, Oosterhuis Associates, OMA, Painting, Claude Parent, Paris, Perspex, Mike Rundell, Tanoa Sasraku, Emily Speed, Lars Spuybroek, Zaha Hadid Architects



   

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