︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00304
Venice Biennale 2025: part 1, the good
Tea Ala-Ruona
,
AMO/OMA
,
Arsenale Institute for Political Representation
,
Tolia Astakhishvilli
,
Bahrain
,
John Baldessari
,
Barricades
,
Belgium
,
Bodies
,
Canada
,
Gaëlle Choisne
,
Albrecht Dürer
,
Fondazione Prada
,
Fondazione Querini Stampalia
,
Gallerie dell'Accademia
,
Giorgione
,
GRACE
,
Ireland
,
Rem Koolhaas
,
Living Room Collective
,
Luxembourg
,
Stefano Mancuso
,
Michelangelo
,
Montenegro
,
Museu Correr
,
Netherlands
,
Nicoletta Fiorucci Foundation
,
Nordic Pavilion
,
Hans Ulrich Obrist
,
OMA
,
Jorge Orta
,
Lucy Orta
,
Poland
,
Antonio Rizzo
,
Emir Šehanović
,
Serbia
,
Carlo Scarpa
,
Scuola Piccola Zattere
,
Harry Seidler
,
Slovenia
,
SMAC
,
Bas Smets
,
SPARC
,
Ivan Šuković
,
Sun Heliocomplex
,
Dejan Todorović
,
Uzbekistan
,
Venice
,
Venice Biennale
,
Leonardo da Vinci
,
Jung Youngsun
,
Miljana Zeković
00176
A Vitra exhibition & book showcase Iwan Baan’s architectural moments
James Haynes
Architectural photography
,
Iwan Baan
,
Construction
,
CCTV Building
,
China
,
Frank Gehry
,
James Haynes
,
Kéré Architecture
,
Mateo Kries
,
Rem Koolhaas
,
OMA
,
Photography
,
Starchitects
,
Toyo Ito & Associate
s,
Vitra Design Museum
,
Zaha Hadid Architects
00147
Aviva Studios in Manchester: a new type of cultural space awaiting new cultural ideas
Will Jennings
Michael Assante
,
Aviva Studios
,
Dance
,
Danny Boyle
,
Es Devlin
,
Factory International
,
Factory Records
,
Free Your Mind
,
Fun Palace
,
Hacienda
,
Heritage
,
Industry
,
Infrastructure
,
Will Jennings
,
Joy Division
,
Ben Kelly
,
Rem Koolhaas
,
Joan Littlewood
,
Sabrina Mahfouz
,
Manchester
,
Manchester International Festival
,
The Matrix
,
John McGrath
,
New Order
,
Oasis
,
Office for Metropolitan Architecture
,
OMA
,
Cedric Price
,
Gareth Pugh
,
Kenrick Sandy
,
Theatre
,
Alan Turing
,
Ellen van Loon
,
Warehouse
00092
Ian Kiaer’s oblique shift of the white cube gallery
Will Jennings
Alison Jacques
,
Venice Biennale
,
Jessie Brennan
,
Drawing Room
,
Foreign Office Architects
,
Geometry
,
Do Ho Suh
,
Installation
,
Ian Kiaer
,
Rem Koolhaas
,
NOX
,
Oblique
,
Oosterhuis Associates
,
OMA
,
Painting
,
Claude Parent
,
Paris
,
Perspex
,
Mike Rundell
,
Tanoa Sasraku
,
Emily Speed
,
Lars Spuybroek
,
Zaha Hadid Architects
TRAVEL
ABOUT
NEWSLETTER
INDEX
︎
Venice
Biennale 2025: part 3,
the 
