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In search of oracular places at the 36th Ljubljana Biennale of Graphic Arts

An interview with Mike Nelson on architectural sculpture & the making of place

Hypha Studios x recessed.space: Nina Oltarzewska is turning art inside
out

Will Jennings

Our highlights from Berlin Art Week 2025
Post-industrial clay: the British Ceramics Biennial in Stoke-on-Trent

Veronica Simpson
Tolia Astakhishvili’s architectural excavation in Venice changes the way artists use the city

Will Jennings

 











00283
Folkestone Triennial looks deep in time, land & sea

Amulet, Anthropocene, Sorcha Carey, Cooking Sections, Dorothy Cross, Earth, Creative Folkestone, Folkestone, Folkestone Triennial, Geology, Ignalina, Land, Lithuania, J Maizlish Mole, Monster Chetwynd, Nuclear, Katie Paterson, Laure Prouvost, Sculpture, Sea, Sewers, Emilija Škarnulytė, Alistair Upton



00110
Monster Chetwynd’s Mount Stuart Moths: an ecological reminder

Neil Scott

Arcadia, Robert Rowand Anderson, Butterflies, CGI, COP26, Crypt, George Gilbert Scott, Film, Isle of Bute, Marvin Gaye Chetwynd, Monster Chetwynd, Performance, Spartacus Chetwynd, Moths, Mount Stuart House, Play, Re-enchantment, Neil Scott, Sculpture, Turner Prize



   

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