︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00283
Folkestone Triennial looks deep in time, land & sea
Amulet
,
Anthropocene
,
Sorcha Carey
,
Cooking Sections
,
Dorothy Cross
,
Earth
,
Creative Folkestone
,
Folkestone
,
Folkestone Triennial
,
Geology
,
Ignalina
,
Land
,
Lithuania
,
J Maizlish Mole
,
Monster Chetwynd
,
Nuclear
,
Katie Paterson
,
Laure Prouvost
,
Sculpture
,
Sea
,
Sewers
,
Emilija Škarnulytė
,
Alistair Upton
00150
RE/SISTERS: an expansive, but chaotic, exploration of gender & ecology
Nyima Murry
Seyi Adelekun
,
Barbican
,
Barbican Art Gallery
,
Judy Chicago
,
Chipko Tree Huggers
,
Curation
,
Agnes Denes
,
Ecology
,
Gender
,
Greenham Common
,
Anne Duk Hee Jordan
,
Kinder Scout
,
Barbara Kruger
,
Land
,
Nyima Murry
,
Astrida Neimanis
,
Nuclear
,
Peace Camp
,
Planet
,
Protest
,
Text
,
Mierle Laderman Ukeles
,
William Morris Gallery
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INDEX
︎
Venice
Biennale 2025: part 3,
the 
