︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00110
Monster Chetwynd’s Mount Stuart Moths: an ecological reminder
Neil Scott
Arcadia
,
Robert Rowand Anderson
,
Butterflies
,
CGI
,
COP26
,
Crypt
,
George Gilbert Scott
,
Film
,
Isle of Bute
,
Marvin Gaye Chetwynd
,
Monster Chetwynd
,
Performance
,
Spartacus Chetwynd
,
Moths
,
Mount Stuart House
,
Play
,
Re-enchantment
,
Neil Scott
,
Sculpture
,
Turner Prize
00077
Mining memory & meaning with Elizabeth Price
Neil Scott
Carpet
,
Darkness
,
Empire
,
FELT TIP
,
Roger Fry
,
Glasgow
,
Glasgow Museum of Modern Art
,
GoMa
,
Hunterian Art Gallery
,
installation
,
KOHL
,
mines
,
Mitchell Library
,
patriarchy
,
Elizabeth Price
,
Neil Scott
,
SLOW DANS
,
sound
,
THE TEACHERS
,
tie
,
tunnels
,
video
,
Albert Walker
,
Virginia Woolf
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Venice
Biennale 2025: part 3,
the 
