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Folkestone Triennial looks deep in time, land & sea
At Stanford’s Cantor Arts Center, an exhibition viscerally presents the broken environments mankind’s progress has created
Will Jennings
Announcing Hypha Studios x recessed.space: an open call to exhibit in a postmodern icon
Manchester International Festival kicks off with an eclectic array of culture
How Uzbekistan’s incredible Sun Heliocomplex brought light to Venice Biennale
Will Jennings
A biennale that makes all the right calls: MOMENTUM 13 in Norway
Robert Barry
00226
Exploring Mount Stuart on the Isle of Bute: neo-Gothicism with a lyrical score from Oisín Byrne
Will Jennings
Robert Rowand Anderson
,
Books
,
Bothy
,
Martin Boyce
,
Oisín Byrne
,
Chattel House
,
Sophie Crichton Stuart
,
Gaelic
,
Garden
,
Glasgow
,
Gothic
,
Gothic revival
,
Isle of Bute
,
Will Jennings
,
James Joyce
,
Landscape
,
Language
,
Library
,
Clarice Lispector
,
Thomas Mawson
,
Mount Stuart
,
Music
,
Neo-Gothic
,
Tennis court
,
Text
,
Translation
,
Alberta Whittle
,
Writing
00110
Monster Chetwynd’s Mount Stuart Moths: an ecological reminder
Neil Scott
Arcadia
,
Robert Rowand Anderson
,
Butterflies
,
CGI
,
COP26
,
Crypt
,
George Gilbert Scott
,
Film
,
Isle of Bute
,
Marvin Gaye Chetwynd
,
Monster Chetwynd
,
Performance
,
Spartacus Chetwynd
,
Moths
,
Mount Stuart House
,
Play
,
Re-enchantment
,
Neil Scott
,
Sculpture
,
Turner Prize
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