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Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
Playtime at the Pavilions: Carmody Groarke at Dulwich Picture Gallery
Rob Fiehn
From Bauhaus to birdhouse: world famous architects’ avian designs for charity
In search of oracular places at the 36th Ljubljana Biennale of Graphic Arts
Lorenzo Graf
Riccardo Buck
An interview with Mike Nelson on architectural sculpture & the making of place
00283
Folkestone Triennial looks deep in time, land & sea
Amulet
,
Anthropocene
,
Sorcha Carey
,
Cooking Sections
,
Dorothy Cross
,
Earth
,
Creative Folkestone
,
Folkestone
,
Folkestone Triennial
,
Geology
,
Ignalina
,
Land
,
Lithuania
,
J Maizlish Mole
,
Monster Chetwynd
,
Nuclear
,
Katie Paterson
,
Laure Prouvost
,
Sculpture
,
Sea
,
Sewers
,
Emilija Škarnulytė
,
Alistair Upton
00116
Sculpting the urban guts: an interview with Holly Hendry
Joseph Bazalgette
,
Brexit
,
Cartoon
,
Comic
,
Covid
,
De La Warr Pavilion
,
Earth
,
Engineering
,
Fear
,
Flow
,
Goldsmiths CCA
,
Holly Hendry
,
Horror
,
London
,
Pipes
,
Sewerage
,
Sewer
,
Temple
,
The CoLAB
,
Thames Tideway Tunnel
,
The Artists Garden
,
theCoLAB
,
Underground
,
Ventilation
,
Who Framed Roger Rabit
,
Wave
,
Weave
,
Worms
00112
An earthen church vessel: Gabriel Chaile & Laura Ojeda Bär
Will Jennings
Adobe
,
Juliet Barada
,
Tomás Bargao Henriques
,
Manuel Barros Brito
,
Joaquin Biglione
,
Gabriel Chaile
,
Church
,
Clay
,
Craft
,
Earth
,
Will Jennings
,
Lisbon
,
London
,
Material
,
Mesh
,
Mud
,
Laura Ojeda Bär
,
Post-colonial
,
Scaffolding
,
Studio Voltaire
,
Jorge Tomasi
,
Venice Biennale
,
Carlo Zambon
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