︎
Fragments of histories & futures explored on the Greek island of Samos
Will Jennings
Gaudí, Miró & Gomis at Casa Batlló: three artists in Barcelona
An interview with Sumayya Vally on architecture, community & Ibraaz
Swinging in the gallery: art meets golf at Battersea Arts Centre
An interview with Lord Cholmondeley on Houghton Hall’s history & future of contemporary art
Will Jennings
Listening to 17,000-year-old architecture: Oliver Beer at Thaddaeus Ropa
c
Will Jennings
00283
Folkestone Triennial looks deep in time, land & sea
Amulet
,
Anthropocene
,
Sorcha Carey
,
Cooking Sections
,
Dorothy Cross
,
Earth
,
Creative Folkestone
,
Folkestone
,
Folkestone Triennial
,
Geology
,
Ignalina
,
Land
,
Lithuania
,
J Maizlish Mole
,
Monster Chetwynd
,
Nuclear
,
Katie Paterson
,
Laure Prouvost
,
Sculpture
,
Sea
,
Sewers
,
Emilija Škarnulytė
,
Alistair Upton
00116
Sculpting the urban guts: an interview with Holly Hendry
Joseph Bazalgette
,
Brexit
,
Cartoon
,
Comic
,
Covid
,
De La Warr Pavilion
,
Earth
,
Engineering
,
Fear
,
Flow
,
Goldsmiths CCA
,
Holly Hendry
,
Horror
,
London
,
Pipes
,
Sewerage
,
Sewer
,
Temple
,
The CoLAB
,
Thames Tideway Tunnel
,
The Artists Garden
,
theCoLAB
,
Underground
,
Ventilation
,
Who Framed Roger Rabit
,
Wave
,
Weave
,
Worms
00112
An earthen church vessel: Gabriel Chaile & Laura Ojeda Bär
Will Jennings
Adobe
,
Juliet Barada
,
Tomás Bargao Henriques
,
Manuel Barros Brito
,
Joaquin Biglione
,
Gabriel Chaile
,
Church
,
Clay
,
Craft
,
Earth
,
Will Jennings
,
Lisbon
,
London
,
Material
,
Mesh
,
Mud
,
Laura Ojeda Bär
,
Post-colonial
,
Scaffolding
,
Studio Voltaire
,
Jorge Tomasi
,
Venice Biennale
,
Carlo Zambon
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