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Manchester International Festival kicks off with an eclectic array of culture
How Uzbekistan’s incredible Sun Heliocomplex brought light to Venice Biennale
Will Jennings
A biennale that makes all the right calls: MOMENTUM 13 in Norway
Art
Robert Barry
An interview with Peter Cook about Archigram, drawing & building
Delaine Le Bas is stitching stories at Newcastle Contemporary Art
Will Jennings
Burn the Sheets: an exhibition on the making of trans domesticity
Barney Pau
00116
Sculpting the urban guts: an interview with Holly Hendry
Joseph Bazalgette
,
Brexit
,
Cartoon
,
Comic
,
Covid
,
De La Warr Pavilion
,
Earth
,
Engineering
,
Fear
,
Flow
,
Goldsmiths CCA
,
Holly Hendry
,
Horror
,
London
,
Pipes
,
Sewerage
,
Sewer
,
Temple
,
The CoLAB
,
Thames Tideway Tunnel
,
The Artists Garden
,
theCoLAB
,
Underground
,
Ventilation
,
Who Framed Roger Rabit
,
Wave
,
Weave
,
Worms
00112
An earthen church vessel: Gabriel Chaile & Laura Ojeda Bär
Will Jennings
Adobe
,
Juliet Barada
,
Tomás Bargao Henriques
,
Manuel Barros Brito
,
Joaquin Biglione
,
Gabriel Chaile
,
Church
,
Clay
,
Craft
,
Earth
,
Will Jennings
,
Lisbon
,
London
,
Material
,
Mesh
,
Mud
,
Laura Ojeda Bär
,
Post-colonial
,
Scaffolding
,
Studio Voltaire
,
Jorge Tomasi
,
Venice Biennale
,
Carlo Zambon
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