︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00150
RE/SISTERS: an expansive, but chaotic, exploration of gender & ecology
Nyima Murry
Seyi Adelekun
,
Barbican
,
Barbican Art Gallery
,
Judy Chicago
,
Chipko Tree Huggers
,
Curation
,
Agnes Denes
,
Ecology
,
Gender
,
Greenham Common
,
Anne Duk Hee Jordan
,
Kinder Scout
,
Barbara Kruger
,
Land
,
Nyima Murry
,
Astrida Neimanis
,
Nuclear
,
Peace Camp
,
Planet
,
Protest
,
Text
,
Mierle Laderman Ukeles
,
William Morris Gallery
00098
E-WERK Luckenwalde: a powerful arts centre for the future
Will Jennings
Anthropocene
,
Art centre
,
Berlin
,
CIRCA
,
Agnes Denes
,
East Germany
,
Einstürzende Neubauten
,
Electricity
,
E-WERK
,
FM Einheit
,
Kira Freije
,
Gallery
,
Germany
,
Industry
,
Infrastructure
,
Will Jennings
,
Kunststrom
,
Luckenwalde
,
Luma Arles
,
Machinery
,
Erich Mendelsohn
,
Network
,
Performance
,
Post-industrial
,
Power
,
Power station
,
Rupert
,
Stadtbad
,
Sound art
,
The Sun and the Sea
,
Samuel Treindl
,
Helen Turner
,
Pablo Wendel
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Venice
Biennale 2025: part 3,
the 
