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At Edinburgh’s RSA, architect Richard Murphy looks at the generational family tree of design


Will Jennings

The John Soane x Minecraft collab that allows you to explore ancient architecture

Cerith Wyn Evans  glows in MAAT, Lisbon

Will Jennings

Ursula K Le Guin’s speculative cartography

Sam Moore

The house as self-portrait: John Soane’s words through an artistic gaze

Rochelle Roberts

The Orobie Biennial puts art into the Bergamasque Prealps

Will Jennings










00278
A biennale that makes all the right calls: MOMENTUM 13 in Norway

Robert Barry

Barbican, Robert Barry, Douglas Gordon, Kalle Aldis Laar, Christian Marclay, Stephanie Loveless, MOMENTUM, Moss, Norway, Mélia Roger, Phone, Avital Ronnell, Morten Søndergaard, Telephone, Maia Urstad, Carl Michael von Hausswolf



00262
Poetically tending Derek Jarman’s garden: Modern Nature at the Barbican

Will Jennings

AIDS, Olly Alexander, Beach, Barbican, Bold Tendancies, Jessie Buckley, Clouds, Keith Collins, Creative Folkestone, James Dacre, Omari Douglas, Dungeness, Shaun Evans, Simon Fisher Turner, Garden, HIV, Illness, Derek Jarman, Will Jennings, Gilbert McCarragher, Music, Modern Nature, Nature, Kele Okereke, Pebbles, Performance, Prospect Cottage, Sea, Section 28, Shingle, Valgeir Sigurðsson, Slow Motion, The Garden, The Last of England, Tilda Swinton, Margaret Thatcher, Jessica Walker, Nils Wanderer, Weather, Will Young



00150
RE/SISTERS: an expansive, but chaotic, exploration of gender & ecology

Nyima Murry

Seyi Adelekun, Barbican, Barbican Art Gallery, Judy Chicago, Chipko Tree Huggers, Curation, Agnes Denes, Ecology, Gender, Greenham Common, Anne Duk Hee Jordan, Kinder Scout, Barbara Kruger, Land, Nyima Murry, Astrida Neimanis, Nuclear, Peace Camp, Planet, Protest, Text, Mierle Laderman Ukeles, William Morris Gallery



   

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