︎
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
00278
A biennale that makes all the right calls: MOMENTUM 13 in Norway
Robert Barry
Barbican
,
Robert Barry
,
Douglas Gordon
,
Kalle Aldis Laar
,
Christian Marclay
,
Stephanie Loveless
,
MOMENTUM
,
Moss
,
Norway
,
Mélia Roger
,
Phone
,
Avital Ronnell
,
Morten Søndergaard
,
Telephone
,
Maia Urstad
,
Carl Michael von Hausswolf
00262
Poetically tending Derek Jarman’s garden: Modern Nature at the Barbican
Will Jennings
AIDS
,
Olly Alexander
,
Beach
,
Barbican
,
Bold Tendancies
,
Jessie Buckley
,
Clouds
,
Keith Collins
,
Creative Folkestone
,
James Dacre
,
Omari Douglas
,
Dungeness
,
Shaun Evans
,
Simon Fisher Turner
,
Garden
,
HIV
,
Illness
,
Derek Jarman
,
Will Jennings
,
Gilbert McCarragher
,
Music
,
Modern Nature
,
Nature
,
Kele Okereke
,
Pebbles
,
Performance
,
Prospect Cottage
,
Sea
,
Section 28
,
Shingle
,
Valgeir Sigurðsson
,
Slow Motion
, T
he Garden
,
The Last of England
,
Tilda Swinton
,
Margaret Thatcher
,
Jessica Walker
,
Nils Wanderer
,
Weather
,
Will Young
00150
RE/SISTERS: an expansive, but chaotic, exploration of gender & ecology
Nyima Murry
Seyi Adelekun
,
Barbican
,
Barbican Art Gallery
,
Judy Chicago
,
Chipko Tree Huggers
,
Curation
,
Agnes Denes
,
Ecology
,
Gender
,
Greenham Common
,
Anne Duk Hee Jordan
,
Kinder Scout
,
Barbara Kruger
,
Land
,
Nyima Murry
,
Astrida Neimanis
,
Nuclear
,
Peace Camp
,
Planet
,
Protest
,
Text
,
Mierle Laderman Ukeles
,
William Morris Gallery
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