︎
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
00249
Jonathan Baldock’s structure to worship nature above the ruins of Londinium
Will Jennings
Agriculture
,
Archaeology
,
Jonathan Baldock
,
Bloomberg
,
Clay
,
Cult
,
Family
,
Norman Foster
,
History
,
Hops
,
Will Jennings
,
Kent
,
Lapis lazuli
,
London
,
Mithraeum
,
Mithras
,
Mother
,
Mythology
,
Nature
,
Roman
,
Sculpture
,
Temple
,
Walbrook River
00160
Re-Imagining Agroecological Futures through Landscape Urbanism
Luke Neve
Agriculture, Agroecology
,
AA
,
Architectural Association
,
Data
,
Industrial agriculture
,
Land
,
Landscape Urbanism
,
Luke Neve
,
One Planet Development Policy
,
Oxford
,
Oxford Real Farming Conference
,
Farm, Farming
,
Food
,
Permaculture
,
Re-Imagining Agroecological Futures
,
Re-Wilding
,
Rural
,
Woodland
00053
The sculptural everyday: Andrew Green’s photographs of rural Italy
Agriculture
,
Allies and Morrison
,
Andrew Green
,
Giorgio de Chirico
,
Estorick Collection
,
Everyday
,
Flaneur
,
Italy
,
Lazio
,
Nondescript
,
Photography
,
Rural
,
Mario Sironi
,
Umbria
,
Village
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