︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00249
Jonathan Baldock’s structure to worship nature above the ruins of Londinium
Will Jennings
Agriculture
,
Archaeology
,
Jonathan Baldock
,
Bloomberg
,
Clay
,
Cult
,
Family
,
Norman Foster
,
History
,
Hops
,
Will Jennings
,
Kent
,
Lapis lazuli
,
London
,
Mithraeum
,
Mithras
,
Mother
,
Mythology
,
Nature
,
Roman
,
Sculpture
,
Temple
,
Walbrook River
00047
The roots beneath the street: An interview with Cristina Iglesias
Cristina Iglesias
Will Jennings
Bloomberg
,
Brachen
,
Caruso St John
,
Norman Foster
,
Gagosian
,
Matthew Gandy
,
Geology
,
Grotto
,
Hidden River
,
Interview
,
Landscape
,
Madison Square Park
,
Natura Urbana
,
Cristina Iglesias
,
Inhotim
,
Labyrinth
,
Roots
,
Royal Academy
,
San Sebastian
,
Santa Clara Island
,
Sculpture
,
Sensorial
,
Nature
,
New York
,
Subterrain
,
Water
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INDEX
︎
Venice
Biennale 2025: part 3,
the 
