︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00249
Jonathan Baldock’s structure to worship nature above the ruins of Londinium
Will Jennings
Agriculture
,
Archaeology
,
Jonathan Baldock
,
Bloomberg
,
Clay
,
Cult
,
Family
,
Norman Foster
,
History
,
Hops
,
Will Jennings
,
Kent
,
Lapis lazuli
,
London
,
Mithraeum
,
Mithras
,
Mother
,
Mythology
,
Nature
,
Roman
,
Sculpture
,
Temple
,
Walbrook River
00202
Venice Biennale: Osman Yousefzada’s Palazzo for Immigrants
Hadeel Eltayeb
Hadeel Eltayeb
,
Fashion
,
Fondazione Berengo
,
Glass
,
Home
,
Hospitality
,
Immigration
,
Knots
,
Labour
,
Midlands
,
Mother
,
Murano
,
Production
,
Nadja Romain
,
Amin Jaffer
,
Palazzo Franchetti
,
Venice Biennale
,
Victoria & Albert Museum
,
Osman Yousefzada
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INDEX
︎
Venice
Biennale 2025: part 3,
the 
