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recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the ugly

Venice Biennale 2025: part 2, the b
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Venice Biennale 2025: part 1, the good

Temporary & permanent culture finds a place in Middlesbrough

Will Jennings

The recessed.space highlights from Frieze Art Fair 2025











00249
Jonathan Baldock’s structure to worship nature above the ruins of Londinium

Will Jennings

Agriculture, Archaeology, Jonathan Baldock, Bloomberg, Clay, Cult, Family, Norman Foster, History, Hops, Will Jennings, Kent, Lapis lazuli, London, Mithraeum, Mithras, Mother, Mythology, Nature, Roman, Sculpture, Temple, Walbrook River



00216
Animals in the clouds: exploring deep-time landscape & art of the Biennale Gherdëina

Will Jennings
Carlo Zambon

Talar Aghbashian, Animals, Nassim Azarzar, Bark beetle, Yesmine Ben Khelil, Chiara Bersani, Alessandro Biggio, Ruth Beraha, Biennale Gherdëina, Birds, Bolzano, Coral, Helene Demetz, Dolomites, Esraa Elfeky, Andro Eradze, Karl Felix Drew, Fischburg Castle, GAMeC, Daniele Genadry, Lorenzo Giusti, Arnold Holzknecht, Michael Höpfner, Ingela Ihrman, Linda Jasmin Mayer, Will Jennings, Nadia Kaabi-Linke, Katia Kameli, Kulturhaus Luis Trenker, Ladin, Language, Landscape, Laurent Le Deunff, Manifesta, Marmot, Lin May Saeed, Mountain, Museion, Myth, Mythology, Nature, Ocean, Ortisei, Femmy Otten, Marta Papini, Performance, Plateau, Diana Policarpo, Sara Ouhaddou, Sea, Sculpture, South Tyrol, Tobias Tavella, Trentino, Urtijëi, Val Gardena, Julius von Bismarck, Walking, Wolf, Wood, Carlo Zambon



00102
Domestic dreaming: a conversation with Beatrice Gibson

Rochelle Roberts

3D,Alcestis, Covid, Death, Dreaming, Dreaming Alcestis, Domestic, Film, Gender, Beatrice Gibson, Nick Gordon, Greece, Greek mythology, Journey, Liminality, Sue MacDiarmid, Mythology, Alice Notley, Palermo, Politics, Rochelle Roberts, Sicily, Sound



   

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