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The house as self-portrait: John Soane’s words through an artistic gaze

Rochelle Roberts

The Orobie Biennial puts art into the Bergamasque Prealps

Will Jennings

recessed.space: Ground Collective communicate with silent rivers

Venice Biennale 2025: part 3, the
ugly

Venice Biennale 2025: part 2, the b
ad

Venice Biennale 2025: part 1, the good











00249
Jonathan Baldock’s structure to worship nature above the ruins of Londinium

Will Jennings

Agriculture, Archaeology, Jonathan Baldock, Bloomberg, Clay, Cult, Family, Norman Foster, History, Hops, Will Jennings, Kent, Lapis lazuli, London, Mithraeum, Mithras, Mother, Mythology, Nature, Roman, Sculpture, Temple, Walbrook River



   

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