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Burn the Sheets: an exhibition on the making of trans domesticity

Barney Pau
Goodwood & the art of slowing down
Venice Biennale, 28 days later

Yuki Sumner
Leonardo Drew has created a motionless explosion in the South London Gallery

Will Jennings

Empty chairs & liminal spaces: Alexandra Metcalf’s Gaaaaaaasp

Rochelle Roberts

V&A East Storehouse is a thrilling meta-museum for the future

Will Jennings













00249
Jonathan Baldock’s structure to worship nature above the ruins of Londinium

Will Jennings

Agriculture, Archaeology, Jonathan Baldock, Bloomberg, Clay, Cult, Family, Norman Foster, History, Hops, Will Jennings, Kent, Lapis lazuli, London, Mithraeum, Mithras, Mother, Mythology, Nature, Roman, Sculpture, Temple, Walbrook River



00159
Antony Gormley’s Body Politic, in the artist’s own words

Body, Civil engineering, Clay, Concrete, Corten steel, Engineering, Geometry, Antony Gormley, Manufacturing, Napoleon, Bruce Nauman, Process, Sculpture, Steel, Threshold, White Cube



00112
An earthen church vessel: Gabriel Chaile & Laura Ojeda Bär

Will Jennings

Adobe, Juliet Barada, Tomás Bargao Henriques, Manuel Barros Brito, Joaquin Biglione, Gabriel Chaile, Church, Clay, Craft, Earth, Will Jennings, Lisbon, London, Material, Mesh, Mud, Laura Ojeda Bär, Post-colonial, Scaffolding, Studio Voltaire, Jorge Tomasi, Venice Biennale, Carlo Zambon



   

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