︎
recessed.space:
Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
The recessed.space highlights from Frieze Art Fair 2025
00249
Jonathan Baldock’s structure to worship nature above the ruins of Londinium
Will Jennings
Agriculture
,
Archaeology
,
Jonathan Baldock
,
Bloomberg
,
Clay
,
Cult
,
Family
,
Norman Foster
,
History
,
Hops
,
Will Jennings
,
Kent
,
Lapis lazuli
,
London
,
Mithraeum
,
Mithras
,
Mother
,
Mythology
,
Nature
,
Roman
,
Sculpture
,
Temple
,
Walbrook River
00194
Venice 2024: an interview with Australia’s Golden Lion winner Archie Moore & architect Kevin O’Brien
Will Jennings
Aborigine
,
Archive
,
Australia
,
Ellie Buttrose
,
BVN Architecture
,
Chalk
,
Coroner
,
Darkness
,
Exhibition design
,
Family
,
Family tree
,
First Nation
,
Indigenous
,
Legal
,
Lighting
,
Archie Moore
,
Kevin O'Brien
,
Sky
,
Stars
,
Venice Biennale
,
Water
,
Window
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Venice
Biennale 2025: part 3,
the 
