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Venice Biennale 2025: part 2, the bad
Venice Biennale 2025: part 1, the good

Temporary & permanent culture finds a place in Middlesbrough

Will Jennings

The recessed.space highlights from Frieze Art Fair 2025

Playtime at the Pavilions: Carmody Groarke at Dulwich Picture Gallery

Rob Fiehn

From Bauhaus to birdhouse: world famous architects’ avian designs for charity











00305
Venice Biennale 2025: part 2, the bad

AI, Architectural Lobby, Alejandro Aravana, Chat GPT, ELEMENTAL, Greek Council for Refugees, Heatherwick Studio, Bjarke Ingels, Kengo Kuma, Kevin Mastro, MIT, Politecnico di Milano, Carlo Ratti, Robots, Venice, Technology, Venice Biennale, Venice Biennale of Architecture, Zicheng Xu



00152
Hugh Pearman on writing About Buildings

Hugh Pearman

David Adjaye, Amateur Architecture Studio, Elias Ashmole, The Ashmolean, Aviva Studios, Bayreuth Festspielhaus, Bladerunner, Lina Bo Bardi, Book, Carl Brandt, The British Museum, Otto Brückwald, Richard Burbage, Bernardo Buontalenti, CCTV, Chetwoods, Theo Crosby, Dulwich Picture Gallery, Gianfranco Franchini, Frank Gehry, The Globe Theatre, The Guggenheim Bilbao, Zaha Hadid, History, Bjarke Ingels, Jon Jerder, Langham Place Shopping Mall, Le Corbusier, Frank Lloyd Wright, The Louis Vuitton foundation, MAXXI, Ningbo History Museum, OMA, John Orrell, Magna Park, Andrea Palladio, Hugh Pearman, Renzo Piano, Polykleitos the Younger, The Pompidou Centre, Richard Rogers, The Royal Opera House, São Paulo Museum of Modern Art, Gottfried Semper, Hans Sloane, The Smithsonian National Museum of African American History and Culture, John Soane, Peter Street, The Sydney Opera House, Teatro Olimpico, The Theatre at Epidauros, The Uffizi, Jørn Utzon, Mies van der Rohe, Giorgio Vasari, Villa Tugendhat, Richard Wagner, Walt Disney Concert Hall, Yale University Press



   

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