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Venice Biennale 2025: part 2, the bad
Venice Biennale 2025: part 1, the good

Temporary & permanent culture finds a place in Middlesbrough

Will Jennings

The recessed.space highlights from Frieze Art Fair 2025

Playtime at the Pavilions: Carmody Groarke at Dulwich Picture Gallery

Rob Fiehn

From Bauhaus to birdhouse: world famous architects’ avian designs for charity











00305
Venice Biennale 2025: part 2, the bad

AI, Architectural Lobby, Alejandro Aravana, Chat GPT, ELEMENTAL, Greek Council for Refugees, Heatherwick Studio, Bjarke Ingels, Kengo Kuma, Kevin Mastro, MIT, Politecnico di Milano, Carlo Ratti, Robots, Venice, Technology, Venice Biennale, Venice Biennale of Architecture, Zicheng Xu



00304
Venice Biennale 2025: part 1, the good

Tea Ala-Ruona, AMO/OMA, Arsenale Institute for Political Representation, Tolia Astakhishvilli, Bahrain, John Baldessari, Barricades, Belgium, Bodies, Canada, Gaëlle Choisne, Albrecht Dürer, Fondazione Prada, Fondazione Querini Stampalia, Gallerie dell'Accademia, Giorgione, GRACE, Ireland, Rem Koolhaas, Living Room Collective, Luxembourg, Stefano Mancuso, Michelangelo, Montenegro, Museu Correr, Netherlands, Nicoletta Fiorucci Foundation, Nordic Pavilion, Hans Ulrich Obrist, OMA, Jorge Orta, Lucy Orta, Poland, Antonio Rizzo, Emir Šehanović, Serbia, Carlo Scarpa, Scuola Piccola Zattere, Harry Seidler, Slovenia, SMAC, Bas Smets, SPARC, Ivan Šuković, Sun Heliocomplex, Dejan Todorović, Uzbekistan, Venice, Venice Biennale, Leonardo da Vinci, Jung Youngsun, Miljana Zeković



00294
Tolia Astakhishvili’s architectural excavation in Venice changes the way artists use the city

Will Jennings

Tolia Astakhishvili, Zurab Astakhishvili, Decay, Deconstruct, Dereliction, Thea Djorjadze, Drawing, Nicoletta Fiorucci, Hans Ulrich Obrist, Heritage, History, Will Jennings, Memory, Nicoletta Fiorucci Foundation, Palazzo, Palimpsest, Dylan Peirce, Pipework, Reconstruct, Removal, James Richards, Angelo Scattolin, School, Ettore Tito, Venice, Venice Biennale



00290
Learning how to live at Venice Biennale

Rob Fiehn

Alejandro Aravena, Austria, Community, Concrete, Drama, ELEMENTAL, Estonia, Exhibition design, Rob Fiehn, France, House, Housing, Insulation, Jakob+MacFarlane, Keiti Lige, Elina Liiva, Helena Männa, Holcim, Michael Obrist, Sabine Pollak, Märten Rattasepp, Renewal Development, Retrofit, Rome, Lorenzo Romito, Venice, Venice Biennale, Vienna



00217
Venice 2024: a visual essay of Biennale & city

Carlo Zambon

Art Not Genocide Alliance, Balenciaga, Buccellati, Gabriel Bella, Huma Bhabha, Bottega Veneta, Canale della Giudecca, Julien Creuzet, Brunello Cucinelli, Aleksandar Denić, Willem de Kooning, Guerreiro do Divino Amor, Fondazione In Between Art Film, Fondazione Querini Stampalia, Jeffrey Gibson, Glass, Pierre Huyghe, Robert Indiana, Isora x Lozuraityte Studio, Roman Khimei, LAS Art Foundation, Anna Maria Maiolino, Yarema Malashchuk, Diego Marcon, Marni, Archie Moore, Josèfa Ntjam, Pakui Hardware, Palestine, Photo essay, Photography, Pinchuk Art Centre, Punta della Dogana, Ione Saldanha, Mark Salvatus, Carlo Scarpa, Raf Simmons, Ukraine, UNA/UNLESS, Venice, Venice Biennale, Window, Carlo Zambon



   

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