Art Not Genocide Alliance, Balenciaga, Buccellati, Gabriel Bella, Huma Bhabha, Bottega Veneta, Canale della Giudecca, Julien Creuzet, Brunello Cucinelli, Aleksandar Denić, Willem de Kooning, Guerreiro do Divino Amor, Fondazione In Between Art Film, Fondazione Querini Stampalia, Jeffrey Gibson, Glass, Pierre Huyghe, Robert Indiana, Isora x Lozuraityte Studio, Roman Khimei, LAS Art Foundation, Anna Maria Maiolino, Yarema Malashchuk, Diego Marcon, Marni, Archie Moore, Josèfa Ntjam, Pakui Hardware, Palestine, Photo essay, Photography, Pinchuk Art Centre, Punta della Dogana, Ione Saldanha, Mark Salvatus, Carlo Scarpa, Raf Simmons, Ukraine, UNA/UNLESS, Venice, Venice Biennale, Window, Carlo Zambon
Pooja Agrawal, Africa, Change, Alpa Depani, Ewa Effiom, Derin Fadina, Rob Fiehn, Lanre Gbolade,Tara Gbolade,Lesley Lokko, Rowan Moore, Krish Nathaniel, NEOM, People, Aoi Phillips, Neil Pinder, Patrik Schumacher, Jim Stephenson, The Line, Venice, Venice Architecture Biennale, Venice Biennale
FWR Associati, Black, Galerie Kamel Mennour, Galleria Continua,Galleria dell’Accademia, Galleria Massimo Minini, Anish Kapoor, Kukje Gallery, Lisson Gallery, Andrea Palladio, Palazzo Manfrin, Barnett Newman, Psychology, Regen Projects, Saint Thomas, SCAI The Bathhouse, Space, Teatro Olimpico, Vantablack, Venice, Venice Biennale
Afghanistan, Francis Alÿs, Belgian Pavilion, Belgium, City, Children, DR Congo, Games, Hong Kong, Iraq, Islamic State, Lithium, Mexico, Play, Painting, Venice, Venice Biennale