Pooja Agrawal, Africa, Change, Alpa Depani, Ewa Effiom, Derin Fadina, Rob Fiehn, Lanre Gbolade,Tara Gbolade,Lesley Lokko, Rowan Moore, Krish Nathaniel, NEOM, People, Aoi Phillips, Neil Pinder, Patrik Schumacher, Jim Stephenson, The Line, Venice, Venice Architecture Biennale, Venice Biennale
FWR Associati, Black, Galerie Kamel Mennour, Galleria Continua,Galleria dell’Accademia, Galleria Massimo Minini, Anish Kapoor, Kukje Gallery, Lisson Gallery, Andrea Palladio, Palazzo Manfrin, Barnett Newman, Psychology, Regen Projects, Saint Thomas, SCAI The Bathhouse, Space, Teatro Olimpico, Vantablack, Venice, Venice Biennale
Afghanistan, Francis Alÿs, Belgian Pavilion, Belgium, City, Children, DR Congo, Games, Hong Kong, Iraq, Islamic State, Lithium, Mexico, Play, Painting, Venice, Venice Biennale
Architecture, Ignasi Aballí, Installation, Intervention, Institutional critique, Light, MAIO, Mapping, Sculpture, Site specific, Space, Spatial, Spain, Spanish Pavilion, Venice, Venice Biennale, Walls