︎
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
Temporary & permanent culture finds a place in Middlesbrough
Will Jennings
00226
Exploring Mount Stuart on the Isle of Bute: neo-Gothicism with a lyrical score from Oisín Byrne
Will Jennings
Robert Rowand Anderson
,
Books
,
Bothy
,
Martin Boyce
,
Oisín Byrne
,
Chattel House
,
Sophie Crichton Stuart
,
Gaelic
,
Garden
,
Glasgow
,
Gothic
,
Gothic revival
,
Isle of Bute
,
Will Jennings
,
James Joyce
,
Landscape
,
Language
,
Library
,
Clarice Lispector
,
Thomas Mawson
,
Mount Stuart
,
Music
,
Neo-Gothic
,
Tennis court
,
Text
,
Translation
,
Alberta Whittle
,
Writing
00010
Travelling light: On the contents of Jong Oh’s backpack
Kristian Vistrup Madsen
Absence
,
Backpack
,
Dematerialisation
,
Galerie Jochen Hempel
,
Lucy Lippard
,
Clarice Lispector
,
Macabea
,
Materiality
,
Nothing
,
Jong Oh
,
Sculpture
,
Kristian Vistrup Madsen
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INDEX
︎
Venice
Biennale 2025: part 3,
the 
