︎
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
00226
Exploring Mount Stuart on the Isle of Bute: neo-Gothicism with a lyrical score from Oisín Byrne
Will Jennings
Robert Rowand Anderson
,
Books
,
Bothy
,
Martin Boyce
,
Oisín Byrne
,
Chattel House
,
Sophie Crichton Stuart
,
Gaelic
,
Garden
,
Glasgow
,
Gothic
,
Gothic revival
,
Isle of Bute
,
Will Jennings
,
James Joyce
,
Landscape
,
Language
,
Library
,
Clarice Lispector
,
Thomas Mawson
,
Mount Stuart
,
Music
,
Neo-Gothic
,
Tennis court
,
Text
,
Translation
,
Alberta Whittle
,
Writing
00172
Soulscapes: diasporic & emotional connections to landscape
Jelena Sofronijevic
Africa
,
Njideka Akunyili Crosby
,
Hurvin Anderson
,
Lisa Anderson
,
Black
,
Black Cultural Archives
,
Phoebe Boswell
,
Britain
,
Brixton
,
Diaspora
,
Kimathi Donkor
,
Dulwich Picture Gallery
,
EVEWRIGHT
,
Jermaine Francis
,
Isaac Julien
,
Christina Kimeze
,
Landscape
,
London
,
Che Lovelace
,
Kimathi Mafafo
,
Mónica de Miranda
,
Nengi Omuku
,
Ravelle Pillay
,
Ingrid Pollard
,
Jelena Sofronijevic
,
Bolanle Tajudeen
,
Van Gogh House
,
Alberta Whittle
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