︎
The house as self-portrait: John Soane’s words through an artistic gaze
Rochelle Roberts
The Orobie Biennial puts art into the Bergamasque Prealps
Will Jennings
recessed.space: Ground Collective communicate with silent rivers
Venice Biennale 2025: part 3, the
ugly
Venice Biennale 2025: part 2, the b
ad
Venice Biennale 2025: part 1, the good
00170
A night-time
flâneuse
of the nonplace: Tales of Estrangement by Effie Paleologou
Absence
,
Athens
,
Covid
,
Darkness
,
Brian Dillon
,
Lauren Elkin
,
Flâneur
,
Flâneuse
,
Light
,
London
,
Mack Books
,
Night
,
Night-time
,
Effie Paleologou
,
Photography
,
Shadows
,
Iain Sinclair
,
Walking
,
Windows
00010
Travelling light: On the contents of Jong Oh’s backpack
Kristian Vistrup Madsen
Absence
,
Backpack
,
Dematerialisation
,
Galerie Jochen Hempel
,
Lucy Lippard
,
Clarice Lispector
,
Macabea
,
Materiality
,
Nothing
,
Jong Oh
,
Sculpture
,
Kristian Vistrup Madsen
00008
On entering Jonathan Martin’s (?) Imperial Palace
Will Jennings
Absence
,
Arson
,
Bedlam
,
Royal Bethlehem Hospital
,
Drawing
,
Drawing Matter
,
God
,
John Martin
,
Jonathan Martin
,
Painting
,
Will Jennings
,
York
00001
Take a look at me now, well there’s just an empty space
Sam Jacob
Absence
,
Phil Collins
,
Sam Jacob
,
Niche
,
John Soane
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