︎
Folkestone Triennial looks deep in time, land & sea
At Stanford’s Cantor Arts Center, an exhibition viscerally presents the broken environments mankind’s progress has created
Will Jennings
Announcing Hypha Studios x recessed.space: an open call to exhibit in a postmodern icon
Manchester International Festival kicks off with an eclectic array of culture
How Uzbekistan’s incredible Sun Heliocomplex brought light to Venice Biennale
Will Jennings
A biennale that makes all the right calls: MOMENTUM 13 in Norway
Robert Barry
00251
The origins & afterlife of tarot & the Warburg Institute
Will Jennings
Theodor Adorno
,
Walter Benjamin
,
Maria Balshaw
,
Bloomsbury
,
Italo Calvino
,
Pamela Colman Smith
,
Aleister Crowley
,
Albert Einstein
,
Ellipse
,
Esoteric
,
Frankfurt
,
Edward George
,
Ernst Gombrich
,
Frieda Harris
,
Graham Haworth
,
Haworth Tompkins
,
Katy Hessel
,
Charles Holden
,
Will Jennings
,
Library
,
London
,
London Library
,
Abu Mashar
,
Nazi Germany
,
Occult
,
Austin Osman Spare
,
Plastique Fantastique
,
Research
,
Tarot
,
Tarot cards
,
Suzanne Treister
,
University of London
,
Visual culture
,
AE Waite
,
John Walter
,
Aby Warburg
,
Warburg Institute
00226
Exploring Mount Stuart on the Isle of Bute: neo-Gothicism with a lyrical score from Oisín Byrne
Will Jennings
Robert Rowand Anderson
,
Books
,
Bothy
,
Martin Boyce
,
Oisín Byrne
,
Chattel House
,
Sophie Crichton Stuart
,
Gaelic
,
Garden
,
Glasgow
,
Gothic
,
Gothic revival
,
Isle of Bute
,
Will Jennings
,
James Joyce
,
Landscape
,
Language
,
Library
,
Clarice Lispector
,
Thomas Mawson
,
Mount Stuart
,
Music
,
Neo-Gothic
,
Tennis court
,
Text
,
Translation
,
Alberta Whittle
,
Writing
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