︎
Burn the Sheets: an exhibition on the making of trans domesticity

Barney Pau
Goodwood & the art of slowing down
Venice Biennale, 28 days later

Yuki Sumner
Leonardo Drew has created a motionless explosion in the South London Gallery

Will Jennings

Empty chairs & liminal spaces: Alexandra Metcalf’s Gaaaaaaasp

Rochelle Roberts

V&A East Storehouse is a thrilling meta-museum for the future

Will Jennings













00251
The origins & afterlife of tarot & the Warburg Institute

Will Jennings

Theodor Adorno, Walter Benjamin, Maria Balshaw, Bloomsbury, Italo Calvino, Pamela Colman Smith, Aleister Crowley, Albert Einstein, Ellipse, Esoteric, Frankfurt, Edward George, Ernst Gombrich, Frieda Harris, Graham Haworth, Haworth Tompkins, Katy Hessel, Charles Holden, Will Jennings, Library, London, London Library, Abu Mashar, Nazi Germany, Occult, Austin Osman Spare, Plastique Fantastique, Research, Tarot, Tarot cards, Suzanne Treister, University of London, Visual culture, AE Waite, John Walter, Aby Warburg, Warburg Institute



00226
Exploring Mount Stuart on the Isle of Bute: neo-Gothicism with a lyrical score from Oisín Byrne

Will Jennings

Robert Rowand Anderson, Books, Bothy, Martin Boyce, Oisín Byrne, Chattel House, Sophie Crichton Stuart, Gaelic, Garden, Glasgow, Gothic, Gothic revival, Isle of Bute, Will Jennings, James Joyce, Landscape, Language, Library, Clarice Lispector, Thomas Mawson, Mount Stuart, Music, Neo-Gothic, Tennis court, Text, Translation, Alberta Whittle, Writing



   

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