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From Bauhaus to birdhouse: world famous architects’ avian designs for charity

In search of oracular places at the 36th Ljubljana Biennale of Graphic Arts

Lorenzo Graf
Riccardo Buck

An interview with Mike Nelson on architectural sculpture & the making of place

Hypha Studios x recessed.space: Nina Oltarzewska is turning art inside
out

Will Jennings

Our highlights from Berlin Art Week 2025
Post-industrial clay: the British Ceramics Biennial in Stoke-on-Trent

Veronica Simpson

 











00251
The origins & afterlife of tarot & the Warburg Institute

Will Jennings

Theodor Adorno, Walter Benjamin, Maria Balshaw, Bloomsbury, Italo Calvino, Pamela Colman Smith, Aleister Crowley, Albert Einstein, Ellipse, Esoteric, Frankfurt, Edward George, Ernst Gombrich, Frieda Harris, Graham Haworth, Haworth Tompkins, Katy Hessel, Charles Holden, Will Jennings, Library, London, London Library, Abu Mashar, Nazi Germany, Occult, Austin Osman Spare, Plastique Fantastique, Research, Tarot, Tarot cards, Suzanne Treister, University of London, Visual culture, AE Waite, John Walter, Aby Warburg, Warburg Institute



00226
Exploring Mount Stuart on the Isle of Bute: neo-Gothicism with a lyrical score from Oisín Byrne

Will Jennings

Robert Rowand Anderson, Books, Bothy, Martin Boyce, Oisín Byrne, Chattel House, Sophie Crichton Stuart, Gaelic, Garden, Glasgow, Gothic, Gothic revival, Isle of Bute, Will Jennings, James Joyce, Landscape, Language, Library, Clarice Lispector, Thomas Mawson, Mount Stuart, Music, Neo-Gothic, Tennis court, Text, Translation, Alberta Whittle, Writing



   

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